
Flight
of Fancy
Actors
Cabaret defies gravity, convention
BY
ANNA GRACE
Reach for your dreams, no matter how silly,
at Actors Cabaret of Eugene this month.
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| Gracie
(Erica Jean) and Jerry (Don Kelly) |
ACE's new show, The Flight of the Lawnchair Man,
is based on the real events of 1982 when, in a quest for flight,
Larry Walters attached 42 weather balloons to his lawn chair, soaring
to a height of 16,000 feet. One might ask why produce, or even write,
a musical about such a bizarre yet not terribly complex theme. ACE
might answer, "Why not?"
Zany is what you'll get for the price of your ticket.
The audience is treated to a clever stream of jokes about Wal-Mart
and the FFA, an even-artsier reinterpretation of The Red Balloon
and mystical visitations from Amelia Earhardt, Charles Lindbergh
and Leonardo da Vinci (who, for the record, was a quitter). You
will be laughing.
Aside from the levitating lawnchair, Lawnchair
Man is somewhat stock. It has the usual Broadway rotation of
jazzy numbers, moving solos and inspiring duets. Just as the Little
Mermaid wants to walk on land, Jerry Gorman wants to fly in the
air. While reaching for dreams is good, I had trouble feeling passionate
about a man's desire to float over New Jersey in patio furniture.
I did have a great time watching him try, though.
Golden-voiced Don Kelly as Jerry Gorman is suitably
dumpy and downtrodden. Erica Jean is delightful as Gracie; she's
funny and gorgeous with a stellar voice. She gives a real punch
to the Jersey toll collector she plays. One does have to wonder,
though, why a character as passionate, sweet, beautiful, thoughtful
and creative as Gracie wants to spend her life cheerleading for
a 34-year-old tube-sock-wearing man who still lives with his mother
and builds model airplanes. Not that nerdy men with strong sock
elastic don't rate the support of beautiful women, but the relationship
seemed a little improbable. But wait … we're speaking of a
play about a man who launches a lawn chair with 400 helium balloons.
One can only suspend disbelief.
There are certain ACE hallmarks in this show. First
among them is a tight ensemble with members who look like they're
having a fantastic time. Colin Gray and Rebecca Teran stand out
as a cocky airplane pilot and goofy flight attendant. Their energy
is boundless, and they play off each other perfectly. The music
is respectable but canned. There are limitations on a small theater;
a full orchastra in such a tiny space would be as inadvisable as
aviation via pressed aluminum and party decorations. Don Kelly,
who doubles as musical director, had no choice but to use the synthesizer,
but at the end of the day, the cast members are still singing to
canned music.
This show at the Cabaret seems to have punched up
the set and costumes a notch. Director Joe Zingo carefully sets
the audience up in a colorful world of two dimensions for the first
act and then veers off into a world of imagination as Gorman takes
flight in act two. Gray and Teran play in adorable cars and an inspired
airplane. Puffy clouds top the set, and more cumuli occasionally
float in and join the action on stage.
The Flight of the Lawnchair Man is a fun
and wacky two hours. In a sweet way, Jerry Gorman's act can almost
be seen as a metaphor for ACE itself. Small, quirky, fun, following
dreams of questionable practicality but following through with them
none the less. Don't ask why; just sit back and enjoy the ride.
The Flight of the Lawnchair Man continues March
7-8, 14-15, 21-22 & 28- 29. Tix available at www.actorscabaret.org
or 683-4368.
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