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Traveling
on a Song
It seems that Brooke Parrott can't sit still.
She has sung her way from Eugene to Seattle to Boston and back again.
This week she's in town for a short while after graduating from
Berklee College of Music in Boston and before heading off to London.
Before she takes flight to find more musical inspiration, Parrott
is celebrating the release of her first full-length album, Another
City.
Her music is a complex combination of powerful lyricism
and bluesy pop. Parrott's lyrics impose themselves upon you in an
endearing manner, but her musical talents are maybe even more impressive.
The songs on her album feature a wide array of instruments from
the cello to the fiddle, and Parrott not only concentrates on vocals
but also plays both the piano and organ.
While music is undoubtedly the focus of Parrott's
life, for the last couple of years she has also dedicated her time
to raising funds for AIDS education in Ghana through an organization
called LifeLovers. LifeLovers is working to fund a refuge and education
facility for homeless orphans, and to help in this effort, Parrott
will be holding a raffle at her release party.
The emotion Parrott feels for LifeLovers translates
into her music through her new single, "Maybe She Just Doesn't Love
You," and "In Any Light," which has a slow but resonating sound.
Celebrate with Parrott and support LifeLovers at
her release party at 7 pm Friday, May 9, at Cozmic Pizza or at a
free in-store set at 3 pm Saturday, May 10, at CD World. —
Megan Udow
Dark
Waters Ahead
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It's hard to know what to write about groups that
have been critically compared to other really famous and beloved
acts. Mia and Jonah pose this problem in spades. I almost
don't want to say which bands other writers think this Bay Area
duo sounds like, or who their guitar and upright bassist played
with in the recent past; those tidbits are probably best left to
the Internet savvy. What I will say is that Mia and Jonah's second
full-length album has an appealingly live, folky feel to it, spontaneously
emotional yet heavy with intentional musical decisions. Both lead
vocalists deliver this collection of painfully human stories without
burdening their songs with distracting production or indulgent instrumentation.
If you care to devote your listening energy to simple harmonies
saturated in serious poetic musings, Mia and Jonah have a cache
of material that will delight you. Those seeking a more immediately
visceral experience may struggle through the quiet intensity their
fans have come to appreciate.
Rooms for Adelaide opens with a healthy
dose of Mia Mustari's unapologetic alto on the disturbingly catchy
track "3 Stories High." After exploring this impressionistic slice
of urban despair, track two takes listeners through the musings
of a lover who has sacrificed self-love for longing on the beautiful
ballad "Wish." And so it goes, all the way through Rooms;
relentlessly intimate yet musically soothing enough to keep you
from resisting the pain. If there is a "hit" on this album (and
I don't use that word with any particular value attached to it)
it is probably "Junkyard Dog," a raunchy little number about life
on the down and out, likely to stir audiences from the magical trance
induced only by those special performers who create what they live
and live what they create. Mia and Jonah, Half Acre Day and Leo
London play at 9:30 pm Friday, May 9, at Sam Bond's Garage. 21+
show. $5. — Adrienne van der Valk
The
'N Thing
The Midwestern indie band Tapes 'N Tapes
is more than just a bunch of thrift store T-shirt clad hipsters;
they're thrift store T-shirt clad hipsters who are trying to make
a difference. The band is encouraging its fans to participate in
this year's Making Strides Against Breast Cancer and/or Avon Walk
for Breast Cancer event. Register in your hometown as "Team Tapes
'N Tapes" and, upon finishing the walk and reporting back with the
funds you've raised, you'll be in the running to win a personalized
signed copy of the band's appropriately named sophomore effort,
Walk It Off. (Get it? Because you're participating in a walk,
and it's called … oh, never mind.)
The band's sound is in the vein of fellow indie
rockers Wolf Parade. Josh Grier's wavering vocals paired with tight
guitar and bass riffs make for intriguing, upbeat tracks that you
can't help but do the indie sway to. (You know, when you bop your
head slightly, sway your hips, tap your foot, maybe swing your arms
a bit all while staying completely in place.)
This is the Minneapolis natives' follow-up to their
critically acclaimed debut record, The Loon, and the band
is promoting the shit out of it by playing close to 30 shows in
two months. They won't be in Eugene until the second leg of their
tour, so the boys will probably be pretty tired, but I'm sure that
won't prevent them from rocking out, or you from involuntarily breaking
into the indie sway. Tapes 'N Tapes plays at 9 pm Monday, May 12,
at the WOW Hall. $12 adv., $14 door. — Katrina Nattress
Eugene's
Queens of Blues
Barbara Healy and Deb Cleveland have been
sharing their love of blues, soul, Motown and pretty much anything
else that makes you shake your rump for some time now. The two divas
of the local blues scene have won a handful of Best of Eugene awards
in EW's readers' poll and collaborated on a number of projects
and owned stages across the city. Their voices are distinct: Healy
possesses a satiny, soulful croon while Cleveland's growl has the
same rough, raw and menacing bite as Koko Taylor and Big Mama Thornton.
Their voices work well together though, almost like a blues version
of good cop/bad cop. Now the vocalists have teamed up on an appropriately
named new EP, Share the Love, and they will be sharing not
only the love but also a backing band, the New Allnighterz, which
features other stars of the blues scene. Get ready for a night of
solos, duets and all around gettin' down. Barbara Healy plays with
the New Allnighterz and Deb Cleveland at 9:30 pm Saturday, May 10,
at Mac's at the Vets Club. $5. — Jeremy Ohmes
Flutes
of Fancy
 |
Everywhere you look these days, you see classical
musicians leading double lives: playing and teaching the classics
in orchestras and at universities and then performing and even writing
contemporary music that draws on happening sounds far beyond concert
halls. String quartets (Kronos), cellists ( Matt Haimovitz, Maya
Beiser), guitarists (John Schneider, David Tanenbaum), brass ensembles
(Meridian Arts), percussion groups (So, Nexus), mixed ensembles
(Eighth Blackbird, Bang on a Can All Stars) … and now flutists.
Forbidden Flutes, UO flute prof Laura Barron's duo with Liesa
Norman, plays exceptionally varied and listener friendly music as
well as their wide-ranging original compositions. Augmented by local
musicians (Camilla Carter, piano; Josh Tower, bass; Kevin Congleton,
drums), the pair will perform music from Radiohead to Chick Corea
to Mozart to Piazzolla. Forbidden Flutes perform at 8 pm Sunday,
May 11, at UO's Beall Hall (all ages), and at 8 pm Monday, May 12,
at Jo Federigo's (21+). — Brett Campbell
Danes
On Parade
With their newest record, Parades, the five
Danish darlings of Efterklang have successfully created something
that's perfect for a procession without getting too cutesy or kitschy.
And though not all the tracks are fit for a celebration —
some seem better suited to a funeral procession than a festive gala
with floats and such other frippery — Efterklang's intricate
arrangements offer up orchestral bliss for the post-pop crowd. Whimsical
woodwinds combined with subtle strings and airy soprano harmonies
make for nice summertime anthems, but Parades isn't all light
and fluffy; occasionally, the record descends into brooding, minimalist
electro stuff that pours its melancholy all over what is otherwise
a light-hearted, lovely Parade(s).
Intentional or no, the album is a pleasing and worthy
follow up to the band's 2004 debut, Tripper. Lucky for us,
U.K.-based The Leaf Label signed the band for distribution purposes
so that we, over here on the other side of the world, can benefit
from Denmark's artistic contributions. Though Mads Brauer, Casper
Clausen, Thomas Husmer, Rune Mølgaard and Rasmus Stolberg are
Efterklang's core members, the symphonic nature of the music requires
the talents of Niklas Antonson, Anna Brønsted,
Frederik Teige and Peter Broderick to properly recreate
Parades' intricacies on stage (and, uh, recorded).
Efterklang tours with Slaraffenland, a cute
Danish post-New Wave band that's also signed to Rumraket, Efterklang's
record label. If you were one of the lucky Oregonians who made it
down to SXSW in Austin this year and saw them play at Emo's, great;
if not, check them out now, or you'll be paying 20 bucks a pop at
the Roseland later. Efterklang and Slaraffenland perform at 9 pm
Sunday, May 11, at the WOW Hall. $10 adv., $12 door. —
Sara Brickner
Heirloom
Southern Blues Invades The North
Though Mac's at the Vets Club rarely charges more
than a few dollars as the cover to see some great under-the-radar
rock and blues acts (as well as local darlings like Deb Cleveland),
here's a concert featuring some seasoned vets — not of our
military, but of American blues — who deserve your dollars.
Smokin' Joe Kubek and Bnois King are a prolific, seasoned
pair of Texas blues masters who've been performing on stage together
for almost 20 years. After a 1991 debut and several subsequent releases
on Bullseye Records, Kubek and King signed to Blind Pig Records
in 2003 and began touring across North America and Europe constantly.
On the rare occasions when they aren't touring, they're recording,
and the latest addition to an enormous catalogue, Blood Brothers,
is out now for your down-home enjoyment.
King and Kubek are both accomplished guitarists,
but while King prefers to play the smooth, jazzy stuff, Kubek specializes
in the raw blues-rock of the sort performed by Stevie Ray Vaughan
— with whom Kubek once shared the stage in Dallas. Bnois King,
who's older than Kubek, has been playing about as long as Kubek
has, and both are comparably skillful musicians who've poured all
of their energy into creating and performing their signature hybrid
blues tunes. Smokin' Joe Kubek and Bnois King perform at 8 pm Tuesday,
May 13, at Mac's at the Vets Club. 21+ show. $15. — Sara
Brickner
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