As a nod to our age of narcissism, EW is celebrating this year’s Oscars by seeing what they have to do with us. In true Hollywood fashion, we used the most fitting methodology — Six Degrees of Kevin Bacon, ahem, Separation (although you will find Kevin Bacon in the chart) — to trace each Best Picture nominee back to Oregon. We left Portland and Portlanders out of the mix because that would be, well, too easy. We learned a lot: Oregon was like catnip for Jack Nicholson in the ’70s; Robert Towne directed not one but two track flicks (Personal Best, Without Limits) in Eugene; and Donald Sutherland, who has starred in not one but two films shot in Eugene (Animal House, Without Limits), has shared the screen with pretty much every actor ever.
Director James Ivory (Howards End, The Remains of the Day) grew up in Klamath Falls and graduated from the UO. Ivory is half of film company Merchant Ivory Productions, whose movies have received six Oscars.
Director and screenplay writer Brad Bird, who graduated from Corvallis High School, nabbed Best Animated Feature Academy Awards for his films The Incredibles and Ratatouille.
Gallons of ink will flow through Springfield this weekend, Feb. 21-23, as some of the finest tattoo artists from across the country and around the world etch beauty into flesh at the inaugural Evergreen Tattoo Expo at Willamalane Center.
Conceived by co-founders Riley Smith and Joshua Carlton as a celebration of the art of tattooing — by and for the artists — Evergreen will gather together more than 200 professionals from 30 states and four countries for three days of workshops, music, performances, hobnobbing and, yes, tattooing, to which the public is invited.
No, I’m not talking about bearded, flannel-clad college guys scoping the scene at Sam Bond’s. There are two horny sasquatches — Leonard and Dale — who have been captured and caged in a “non-descript warehouse in the industrial section of Eugene” for “scientific research.”
In fact, a tribe of bigfoots have been living in the Cascade Range for thousands of years, stomping around Lost Lake, smoking ganja and engaging in campfire orgies with hikers who have wandered a tad too deep into the woods. These are not your Harry and the Henderson kinds of cryptids. These are the sasquatches of Cum for Bigfoot (books 1-16).
It’s a common experience. You’re walking down the street, pleasantly enjoying the scenery, when you look down and almost step on the horror of all horrors: a used condom lying on the sidewalk.
We all know that condoms are readily available and people use them all the time (even if we don’t want to see the rubbery aftermath at our feet). The problem is that they’re not using them enough or with any kind of consistency.
Local author and real estate investor Bill Syrios has written a new book about relationships that might make his four grown sons blush. “This book may contain more about good old Dad than you wanted to know!” he writes in the dedication to Intimate Conversations for Couples: Turning Your Relationship into a Lifelong Love Affair, published by Crossover Press in Eugene and available in print this Valentine’s Day.
People having sex isn’t “news.” Sex is how our species survives, after all. Sex scandals make the headlines when the sex is had in awkward places, with ill-chosen or inappropriate people, including, as it turns out, one’s own self. That’s when sex makes the pages of not just tabloid news but the rarified newsprint (and websites, for endless sharing) of The Oregonian and The Register-Guard.
In a flurry of sawdust and activity, the Urban Lumber Company Workshop in Springfield buzzes with the sounds of drilling and sawing. Towering branches, stumps and logs fill the workspace, each waiting its turn to become the next work of art carved into existence by owner Seth San Filippo and his fellow woodworkers, Josh Krute and Christian Jensen. These pieces of lumber, salvaged, reclaimed or sustainably harvested from all over the Eugene-Springfield area, are trees reincarnate. Instead of harvesting fresh timber from wild areas, Urban Lumber seeks out city trees that are dying, pose a threat to surrounding buildings or create some other kind of safety hazard. Rather than scrapping the lumber or sending it to landfills, Urban Lumber steps in and gives the wood another chance, collaborating with local businesses and individuals to create tables, doors, bed frames, countertops and everything else imaginable.
Some 65 dams came down for various reasons in the U.S. in 2012, according to National Geographic, and Oregon rivers are averaging three or four intentional dam breaches a year. But one troublesome dam, Soda Springs, still remains on the North Umpqua River, despite recommendations for its removal by a federal agency, numerous environmental organizations and even a study funded by the project’s owner, PacifiCorp. The story of why this remote dam remains standing is not widely known, and it boils down to corporate profits versus the environment, with bad timing thrown in.
Few things are as starkly inconvenient to our collective perception of well-being than the ongoing existence of homelessness and mental illness. They baffle our understanding.
And so, when these two uncomfortable facts collide in a very public way — say, in the form of a ragged man screaming at ghosts in Kesey Square — we reach a level of collective dismay that approaches hysteria. Hysteria, which is just fear, drives us to extremes: anger, pity, denial, paralysis.
The burden of the history is something to keep in mind when face to face with Kara Walker’s elegant, complex and challenging silhouettes depicting the horrors of the antebellum South — images that have been described as an “apocalyptic carnival” — that will be on display for the Jordan Schnitzer Museum of Art’s upcoming exhibit Emancipating the Past: Kara Walker’s Tales of Slavery and Power opening 6 pm Friday, Jan. 24. Emancipating the Past is the first-ever solo exhibit by an African-American artist at the JSMA.
It’s not unusual to see history or engineering majors in a college program catalog, and English or biology students are pretty easy to come by, but when was the last time you met someone with a degree in comics or hiking? These are just a couple of the unique majors and minors offered at local colleges and universities.
The Comics and Cartoon Studies program at the University of Oregon made national headlines in December 2013 after an anonymous $200,000 donation was bestowed on the program. According to Program Director Benjamin Saunders, the 15-month-old program now has more than 30 students enrolled in the minor program that spans six courses. “The idea of a [comics] minor is appealing because it makes any major that anybody takes more interesting,” he says. “You can be an economics major.”
When Macey France’s second-grade son brought home his math homework, France couldn’t believe that he was already working with fractions. “The sad thing is, my eight-year-old doesn’t know what a fraction is yet,” she says, “and he’s reading it out loud, saying, ‘one and then a line and then a four,’ and I realized, oh my goodness, they’re asking for a quarter of something.”
France, chief operating officer of Parent Led Reform Oregon, is drawing attention to a set of new achievement standards that are coming to Oregon schools, including Lane County, as well as across the nation. Teachers around the state are modifying their classroom strategies to meet these new standards — sudden adjustments that parents are surprised to see. “People have compared it to the Affordable Care Act,” she says. “It hit, and it’s too much, too fast.”
Technology in the classroom can help students collaborate in real time, learn at their own pace and use innovative tools and techniques. Technology can transform the ability of students with learning disabilities such as autism to communicate.
But whether students in local school districts have access to state-of-the-art technology depends on whether district voters are willing to invest in digitizing the classroom. Eugene’s 4J and Springfield school districts present a contrasting picture of what happens when residents vote for or against filling the funding gap created by shrinking state and federal education budgets.
It’s standard for Oregon high schools to offer physical education and English classes, but in 2005 the two subjects fused into one course at South Eugene High School. That’s when teachers Jeff Hess and Peter Hoffmeister conjured an idea and called it the Integrated Outdoor Program (IOP), allowing students to read Edward Abbey one day and go on a bike ride the next as part of a two-period-long class. And, despite having to deal with the recent change from semesters to trimesters, it manages to flourish largely due to its uniqueness and the avenues of education and exercise.
Emma, an emaciated pit bull mix, staggers on the side of the road in Junction City. It is clear to the animal welfare officers who pick her up that she is extremely malnourished and seems to be suffering from some sort of skin disease.
Three months later, Emma is happily playing in the yard of her new owner. There have been discussions on whether it would be better to euthanize Emma — a dog with an intractable medical problem is hard to rehome. But now she has plenty of food, and a number of treatments and the hard work of her foster parents has improved her skin condition.
EW asked an assortment of community and socially involved folks to please tell us what they would dream of for Eugene. As we head into the New Year, what do people think we as a community should change, improve, build or renovate in our built and social environment?
We asked for two dreams per person, but of course you can’t control dreams, so some people had many more ideas than two. And while we tried to categorize them, you can’t really put dreams in logical boxes either. So just enjoy this mélange of wishes for our city. Stay tuned for part two next week.
As Mother Teresa once said, “Give until it hurts.” Lane County has an abundance of nonprofits deserving of your donations — both tax deductible donations of cash before the end of the year and also donations of your time, your blankets, socks, warm clothing, food and other items in short supply. You might get some ideas from our cover image. EW donated all those items to people in need via First Christian Church. We would love to list every single group, and we hope you write letters and comment online to let other readers know of deserving nonprofits that didn’t make it in this year.
The actual Mother Teresa quote from her 1979 Nobel Prize lecture is “But I don’t want you to give me from your abundance, I want that you give me until it hurts.” Many of us don’t have a lot to give, but from what little or large amount we have, give your money, give your time, give so others don’t have to hurt.
Each month, St. Vincent de Paul Society of Lane County receives about a half million pounds of clothing. To put that in perspective, Boeing’s 747-8, one of the largest aircraft ever made in the U.S., weighs one million pounds. That is a lot of old clothing to sift through, but to some, that’s half a million opportunities to find a hidden treasure or a raw material.
It’s International Book Week! Read one of these books in our Winter Reading issue and post the fifth sentence on page 52 …
Whoops. Spoiler alert: There is no International Book Week, though there is a United Nations World Book and Copyright Day, which was April 23, as well as a Banned Book Week back in September. But really, do you need a Facebook status update to remind you to share the joys of reading? Whether you are a solo peruser, a book club member or you only read when you are stuck on an airplane for three hours, we present to you our annual roundup of some of the books we enjoyed reading this year.
History is packed with grey cardinals and coups d’état, yet we often dismiss as fantasy the modern conspiracies of men. “Conspiracies do happen,” says Kris Millegan, owner of local publishing house TrineDay Books, which helps lend credence to suppressed topics.
Like finding a lost treasure trove of old Pulp magazines in your grandfather’s attic, 2013’s bounty of graphic novels injected a sense of wonder into the medium, presenting straight-ahead, two-fisted adventure that doesn’t shy away from message or nuance.