• Eugene Weekly Loves You!
Share |

Music

Carrie Rodriguez is a raven-haired wildflower, an alt-country songstress too feisty for Nashville and too down-home for rock ‘n’ roll. Initially hyped as a virtuosic fiddle player, Rodriguez is a hardworking, constantly touring roots songwriter — exemplifying her hometown (Austin, Texas)’s reverence for traditional music while flipping it the bird at the same time. 

Eugene’s biggest annual musical happening, the Oregon Bach Festival, begins its 44th season, and founding artistic director Helmuth Rilling’s last, Friday night with one of the monuments of choral orchestral music — but one relatively rarely encountered in live performance.

Music news & notes from down in the Willamette valley

Jah Sun is well aware of the deep history of reggae music and how much it has influenced other styles of music. His latest release, Rise As One, acknowledges this trailblazing art form, particularly on the track “Mad Up Di Place.” 

Come June 21, as you walk down Broadway, you’ll be wondering, what’s that sound? Down the stone steps of The Shedd, the summer wind will carry the all-women vocals of SheSings 2013 — the Women’s A Capella Festival, with concerts, workshops and a whole lotta musicians.

Fresh off a Bandest of the Bands win at WOW Hall earlier this year, local folk-rock outfit Small Joys is starting to pick up steam. What began as a conservative duet, composed of songwriter Olivia Awbrey and lead guitarist Dan Klee, has now blossomed into a harmonious four-to-six-piece romp.

The Soulstice is a celebration of summer and community with a variety of music that reflects Eugene’s diverse tastes like a summer pool. On Friday, the night of the summer solstice, Damian Marley and Stephen Marley bring their ganja-laced rhythms and rhymes to the stage. On Saturday, June 22, Beats Antique and Shpongle provide the psychedelic, tribal sounds of the bass music movement.

Amy LaVere has the kind of voice that you can’t help but notice and pay attention to. It’s not that it’s a perfectly polished gem of a voice, but rather that its flaws and nuances make you wonder just what it is that she’s really thinking.

Music news & notes from down in the Willamette valley.

Local jam band Blue Lotus is about to release their third album, A Thousand Other Things — their concert at WOW Hall on June 15 will be a CD release party — and singer-rhythm guitarist Brandelyn Rose says the band will be giving listeners something a bit different this time.

Fox & Woman formed at street poetry gatherings in San Francisco’s Mission District. Their 2013 release, This Side Dawn, is gentle; lilting violin and tight female harmonies from Jess Silva and Emily Halton — who occasionally sing in Portuguese — mix with intricate and delicate guitar playing.

I’m pretty sure truck-stop rocker James McMurtry was laughing into his dinner as he sat at Poppi’s Anatolia last time he came to Eugene. He was chilling out alone before his WOW Hall show, sitting one table over from me, and couldn’t help but to hear my friend Becky bitching me out for not putting hay bales around the bottom of my Airstream trailer in a sort of redneck insulation to keep it warm in the winter.

Corsets and top hats, handlebar moustaches and suspenders, petticoats and purple hair: enter the world of Portland’s neo-vaudevillian Vagabond Opera.

Whooowhee! Whitey Morgan & the 78’s are playing at Sam Bond’s this week, and it’s sure to be swingin’.

Music news & notes from down in the Willamette valley.

Crow Quill Night Owls are an old-timey band dealing with some 21st-century problems. The musicians, based in Port Townsend, Washington, are all set to launch a Kickstarter campaign for a new tour vehicle and to upload their latest record to Bandcamp — only problem is they can’t get their computers to work. 

On Nov. 3 1961, Dave Brubeck played at the UO’s McArthur Court for $2.50. Less than a year later, Brubeck joined Tony Bennett for the White House Seminar American Jazz Concert with the Washington Monument as a backdrop. On May 28, 2013, Tony Bennett & Dave Brubeck: The White House Sessions, Live 1962 was released after over a half century forgotten in a vault.

Name a music biz award and young pro-bull-rider-turned-dusty-throated-troubadour Ryan Bingham has probably won it. His song “The Weary Kind,” from the 2009 Jeff Bridges movie Crazy Heart, was awarded everything from an Oscar to a Grammy.

Friday night’s concert featuring the impeccable guitarist Frank Vignola, a frequent and always welcome visitor who brings a duet partner, guitarist Vinny Raniolo. Proclaimed one of the finest ever by no less than the sainted Les Paul (his former touring partner), the versatile virtuoso can convincingly cover everything from Black Sabbath to Bach.

Eric Earley is of two minds when it comes to talking about the 10th anniversary of Blitzen Trapper’s self-titled debut album.

Seattle has become a hip-hop factory — or at least hip hop with a PNW twist: Blue Scholars, Macklemore & Ryan Lewis, Wanz, Common Market, Grieves, Shabazz Palaces. And, like most hip-hop scenes, Seattle is dominated by male artists. Then there’s THEESatisfaction.

Alternative rocker Laura Meyer calls it like she sees it. Religion, greed, life on the road and relationships all get their share of attention on her albums, and her observations will certainly get you thinking.

When there’s a story — or an album’s worth of stories — inside you, it’s going to find a way to come out. For Vikesh Kapoor, the first several years of his life were spent playing piano. Then, an arm injury. He turned to photojournalism at Boston University.

Music news & notes from down in the Willamette valley.