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March 9, 2017 01:00 AM

From the first notes of Mitsuki Dazai’s masterful koto playing, Tales from a Floating World erupts on the stage, a wash of color and contrast, in Ballet Fantastique’s latest show, which ran March 3-5 at the Hult Center’s Soreng Theater.

From the first notes of Mitsuki Dazai’s masterful koto playing, Tales from a Floating World erupts on the stage, a wash of color and contrast, in Ballet Fantastique’s latest show, which ran March 3-5 at the Hult Center’s Soreng Theater.

Opening with a spritely, fluttering array of turns and shapes, the ancient tale veers into the romantic, as dancers pirouette and elevate into robust, playful lifts. Ashley Bontrager and Gustavo Ramirez engage in a flirtatious dynamic, mirroring the plucking, timeless echo of the koto. 

March 9, 2017 01:00 AM

In President Benito Tweety’s post-truth, “alternate-facts” world, it probably doesn’t matter if we reported a story with some misleading information in January’s “Wine Label Whimsy,” when we wrote about Charles Smith K Vintners 2012 MCK (Motor City Kitty) Syrah.

In President Benito Tweety’s post-truth, “alternate-facts” world, it probably doesn’t matter if we reported a story with some misleading information in January’s “Wine Label Whimsy,” when we wrote about Charles Smith K Vintners 2012 MCK (Motor City Kitty) Syrah.

Lisa Sprague, one of the wine-savvy mavens at Sundance, dug out a story on “Wine News” that clarified the tale. So here it is: Charles Smith (Walla Walla) sold five of his top-selling wines, and not his top-shelf K brands, as we thought, to Constellation Brands for a mere $120 million.

March 9, 2017 01:00 AM

The University of Oregon Theatre Program presents two student plays this weekend and next: The Fruit Stand by Sravya Tadepalli and On the Street Where We Used to Live by Cora Mills.

Both plays are winners of the New Voices playwriting competition. The UO’s Joseph Gilg has shaken off retirement to direct.

The University of Oregon Theatre Program presents two student plays this weekend and next: The Fruit Stand by Sravya Tadepalli and On the Street Where We Used to Live by Cora Mills.

Both plays are winners of the New Voices playwriting competition. The UO’s Joseph Gilg has shaken off retirement to direct.

March 9, 2017 01:00 AM

Most of us collect objects of some kind: a shell, a concert ticket, a dried flower kept in a book as a keepsake.

But what if you went to someone’s house and they had a whole room filled with such objects — and those things weren’t personally tied to their experience? Would you perhaps think that person was wired a little differently?  

Most of us collect objects of some kind: a shell, a concert ticket, a dried flower kept in a book as a keepsake.

But what if you went to someone’s house and they had a whole room filled with such objects — and those things weren’t personally tied to their experience? Would you perhaps think that person was wired a little differently?  

March 1, 2017 01:00 AM

We burst out of the trees, gallop up to a log and jump into a pond of water, then we leap up over the bank before hurtling on to the next obstacle. My horse, Queen of Cairo, flicks her small brown ears back at me, then pricks them forward as she hunts for the next jump.

When I tell people my hobby is competing my horse, I think they picture suit-jacketed velvet-capped champagne-sipping equestrians cantering across manicured lawns. 

But when we are talking about the sport of three-day eventing, it’s more like adrenaline junkies wearing helmets and flak jackets. 

We burst out of the trees, gallop up to a log and jump into a pond of water, then we leap up over the bank before hurtling on to the next obstacle. My horse, Queen of Cairo, flicks her small brown ears back at me, then pricks them forward as she hunts for the next jump.

When I tell people my hobby is competing my horse, I think they picture suit-jacketed velvet-capped champagne-sipping equestrians cantering across manicured lawns. 

March 1, 2017 01:00 AM

Sweat dripping off his scruffy beard, Zane Sandborg hops over logs on the choker course at Oregon State University’s logging sports arena in the otherwise serene Peavy Arboretum. Teammates Robin Wortman and Calvin Kerr compete to see who can balance longest on a slippery log that revolves a few inches off the ground on a sturdy metal spit. Meanwhile, Morgan Kawakami sends a heavy axe cartwheeling through the air as she refines her axe throw technique.

Sweat dripping off his scruffy beard, Zane Sandborg hops over logs on the choker course at Oregon State University’s logging sports arena in the otherwise serene Peavy Arboretum. Teammates Robin Wortman and Calvin Kerr compete to see who can balance longest on a slippery log that revolves a few inches off the ground on a sturdy metal spit. Meanwhile, Morgan Kawakami sends a heavy axe cartwheeling through the air as she refines her axe throw technique.

March 1, 2017 01:00 AM

People collapse. Toenails are turning black and falling off all the time.

And still, long-distance relay races attract enough runners to sell out in Oregon.

In my early relay race outings I’ve tripped, rolled ankles, blacked out, nearly puked and slept like a corpse propped up against walls and in open fields. At one point, after running 11 miles uphill in the sand, my mind left my body; I somehow found myself back in the team van without any recollection of how I got there.

People collapse. Toenails are turning black and falling off all the time.

And still, long-distance relay races attract enough runners to sell out in Oregon.

In my early relay race outings I’ve tripped, rolled ankles, blacked out, nearly puked and slept like a corpse propped up against walls and in open fields. At one point, after running 11 miles uphill in the sand, my mind left my body; I somehow found myself back in the team van without any recollection of how I got there.

March 1, 2017 01:00 AM

Sarah Ruhl is an interesting playwright. Her work achieves emotional valences that, for me, are completely contradicted by her style — a style I find myself hard pressed to describe with any satisfying accuracy. Mamet on anti-depressants? Chekhov lite? Swift with a Swiffer?

Sarah Ruhl is an interesting playwright. Her work achieves emotional valences that, for me, are completely contradicted by her style — a style I find myself hard pressed to describe with any satisfying accuracy. Mamet on anti-depressants? Chekhov lite? Swift with a Swiffer?

Ruhl’s writing is mannered yet silly, frivolous but somehow depthy, a bitter pill coated in sugar. Her loudest harangue remains a coo. Distinctly middle-brow and yet hardly milquetoast, she seems to set herself up as a wag and nag for the NPR glitterati, a bit preening and twee but itchy-scratchy nonetheless.

March 1, 2017 01:00 AM

In the summer of 2015, Wes Hurd was in a melancholy place. 

“My mom and dad had passed away, and artistically, I wanted to work on some fresh territory,” says the visual artist. 

Hurd decided to challenge himself with a series of large, abstract paintings, each with the same size — 51 by 47 inches — and a unifying palette of black, white and gray. 

In the summer of 2015, Wes Hurd was in a melancholy place. 

“My mom and dad had passed away, and artistically, I wanted to work on some fresh territory,” says the visual artist. 

Hurd decided to challenge himself with a series of large, abstract paintings, each with the same size — 51 by 47 inches — and a unifying palette of black, white and gray. 

March 1, 2017 01:00 AM

We hear University of Oregon professor of dance and Dance in Dialogue co-founder Shannon Mockli recently participated in an open showing at Seattle’s renowned center for contemporary performance On the Boards (OtB). 

“It was an informal showing, so I had to really pare down my work, Finding a Way of Being, to fit within a short timeframe,” Mockli says. “It is so good to show work elsewhere, among a community that doesn’t know you. There is no back history and that means I have to consider new ways in.” 

February 23, 2017 01:00 AM

Sarah Ruhl’s Melancholy Play, opening Friday night, Feb. 24, at Oregon Contemporary Theatre, posits an idea that seems utterly un-American: What if it’s OK not to be happy? What if we don’t need to smile all the time, despite our ingrained right to the pursuit of happiness?

Sarah Ruhl’s Melancholy Play, opening Friday night, Feb. 24, at Oregon Contemporary Theatre, posits an idea that seems utterly un-American: What if it’s OK not to be happy? What if we don’t need to smile all the time, despite our ingrained right to the pursuit of happiness?

February 23, 2017 01:00 AM

Identity is a bitch. By the time we’re grown up enough to ask ourselves who we are and what the hell we’re doing with this thing called life, we realize our so-called self is an infinitely convoluted and mysterious patchwork — a mashup of past indignities, adopted attitudes and a certain incommunicable something howling deep inside for meaning and contact.

Identity is a bitch. By the time we’re grown up enough to ask ourselves who we are and what the hell we’re doing with this thing called life, we realize our so-called self is an infinitely convoluted and mysterious patchwork — a mashup of past indignities, adopted attitudes and a certain incommunicable something howling deep inside for meaning and contact.

February 23, 2017 01:00 AM

What a great and glorious world we live in, when deliciously guilty pleasures from the ’80s are rehashed for the stage: Johnny and Baby are back, and now they’re singing and dancing? Yes, please! 

The Theater League presents Dirty Dancing 7:30 pm Tuesday through Thursday, Feb. 28-March 2, at the Hult.

What a great and glorious world we live in, when deliciously guilty pleasures from the ’80s are rehashed for the stage: Johnny and Baby are back, and now they’re singing and dancing? Yes, please! 

The Theater League presents Dirty Dancing 7:30 pm Tuesday through Thursday, Feb. 28-March 2, at the Hult.

February 23, 2017 01:00 AM

Marc Chagall lived for nearly a hundred years. He left Russia for Paris and then, due to the rise of the Nazi party and anti-Jewish sentiment, left Paris for the United States.  

Marc Chagall lived for nearly a hundred years. He left Russia for Paris and then, due to the rise of the Nazi party and anti-Jewish sentiment, left Paris for the United States.  

You might think someone who had witnessed such turmoil would have made art that was dark and heavy. But Chagall’s people, animals and flowers — recurring subjects in his imagery — are rarely bound by gravity. They hover above the ground and fly.  

February 16, 2017 01:00 AM

Walk into the luscious new Louis Bunce retrospective at Willamette University’s Hallie Ford Museum of Art in Salem, and you’re immediately confronted with a 1932 self-portrait of the artist.

Wearing a banded fedora and sporting a 20-something’s raffish sneer, Bunce — whose career as an Oregon painter spanned the mid 20th century — glances forward through the decades as if to challenge the 21st century museum-goer: “You’ll never meet another artist quite like me,” he seems to say.

Walk into the luscious new Louis Bunce retrospective at Willamette University’s Hallie Ford Museum of Art in Salem, and you’re immediately confronted with a 1932 self-portrait of the artist.

Wearing a banded fedora and sporting a 20-something’s raffish sneer, Bunce — whose career as an Oregon painter spanned the mid 20th century — glances forward through the decades as if to challenge the 21st century museum-goer: “You’ll never meet another artist quite like me,” he seems to say.

February 16, 2017 01:00 AM

Eugene Ballet’s annual foray into more-contemporary work is always a treat to look forward to, and their performance this weekend was nothing short of breathtaking. The program brought out rich subtleties in EBC’s strong corps, and along with a familiar favorite, featured premieres by two notable choreographers.  

Eugene Ballet’s annual foray into more-contemporary work is always a treat to look forward to, and their performance this weekend was nothing short of breathtaking. The program brought out rich subtleties in EBC’s strong corps, and along with a familiar favorite, featured premieres by two notable choreographers.  

Suzanne Haag’s The Surrounding Third opened the show. 

February 16, 2017 01:00 AM

The Middle Eastern Dance Group of Eugene, or MEDGE, holds its Annual Alternative Night featuring Ann Shaffer, a member of the fusion dance group Tribalation. Catch belly dancers performing to funky '80s disco grooves, '60s R&B, Van Halen and more, at 8:30 pm Feb. 17 at Whirled Pies; $5.

February 9, 2017 01:00 AM

What’s the most cost-effective crop you can grow in a small space? Many commercial growers agree that it’s culinary herbs, and I think this may hold true for home gardeners. 

What’s the most cost-effective crop you can grow in a small space? Many commercial growers agree that it’s culinary herbs, and I think this may hold true for home gardeners. 

February 9, 2017 01:00 AM

Before there ever lived a boy named Peter Pan, before there existed a place called Neverland, a girl named Molly adventured with three orphan boys on a remote island inhabited by a tribe called, improbably, the Mollusks. One of the boys would go on to be named Peter, and would never grow up, and Molly’s daughter, Wendy … Well, that’s for another story entirely.

Before there ever lived a boy named Peter Pan, before there existed a place called Neverland, a girl named Molly adventured with three orphan boys on a remote island inhabited by a tribe called, improbably, the Mollusks. One of the boys would go on to be named Peter, and would never grow up, and Molly’s daughter, Wendy … Well, that’s for another story entirely.

That is the conceit behind Peter and the Starcatcher, a short-running 2012 Broadway show based on a prequel novel to the much better known tale of Peter Pan, as told in play and novel form by J.M. Barrie.

February 9, 2017 01:00 AM

The affable Texan Rick Williams has best been known around Eugene over the past decade and a half as dean of the Division of the Arts at Lane Community College, a job from which he retired a year ago.

The affable Texan Rick Williams has best been known around Eugene over the past decade and a half as dean of the Division of the Arts at Lane Community College, a job from which he retired a year ago.

But Williams, 70, has also been a photographer for the past half century. He worked as a commercial photographer in Austin, Texas, for 30 years and taught photography at the University of Texas there for 10 years. He spent his free time lugging his Nikon cameras to nearby ranches, oil fields and tech factories, where he would document the lives of ordinary people at work.

February 2, 2017 01:00 AM

Slamming doors, pretending to be statues, hiding under tables: These theatrical devices are as old as theater itself, and they’re in great supply in J.K. Rogers’ directorial debut The Emperor of the Moon, playing now at the University Theatre. 

Slamming doors, pretending to be statues, hiding under tables: These theatrical devices are as old as theater itself, and they’re in great supply in J.K. Rogers’ directorial debut The Emperor of the Moon, playing now at the University Theatre. 

February 2, 2017 01:00 AM

The days are getting a little bit longer, and dance is starting to bloom. 

The days are getting a little bit longer, and dance is starting to bloom. 

We recently caught a performance of the U.K.’s Ballet Boyz, part of the inimitable White Bird Dance Series in Portland. Catch the review of the show on the Eugene Weekly blog at bit.ly/2kNAsVw.

Xcape Dance Company presents LOVE at 7:30 pm Feb. 3 at the Hult Center, featuring “real-life LOVE stories, multimedia design and theatrical elements.” Proceeds from this student performance benefit Ophelia’s Place. $15-17.50. 

February 2, 2017 01:00 AM

Eugene Ballet Company fulfills a vital role in our community by regularly commissioning and presenting contemporary dance. This season, EBC’s Midsummer Night’s Dream shares the billing with two rising stars: EBC’s own Suzanne Haag and Chicago-based choreographer Stephanie Martinez

Eugene Ballet Company fulfills a vital role in our community by regularly commissioning and presenting contemporary dance. This season, EBC’s Midsummer Night’s Dream shares the billing with two rising stars: EBC’s own Suzanne Haag and Chicago-based choreographer Stephanie Martinez

“It is important to the mission of Eugene Ballet to expose our audience and our artists to different creative talents,” says Eugene Ballet artistic director Toni Pimble

February 2, 2017 01:00 AM

I’m in my late 20s, and I watch a lot of professional wrestling. 

Now that I’ve broken some major news, let me add that I’m pretty excited for the World Wrestling Entertainment to come to Eugene on Feb. 5. I’m so excited that I used my “power of the media” card to convince the company to arrange an interview with one of their wrestlers. 

I’m in my late 20s, and I watch a lot of professional wrestling. 

Now that I’ve broken some major news, let me add that I’m pretty excited for the World Wrestling Entertainment to come to Eugene on Feb. 5. I’m so excited that I used my “power of the media” card to convince the company to arrange an interview with one of their wrestlers. 

And they agreed.