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March 28, 2013 01:00 AM

It started a long time ago, with a fella who may or may not have existed, and who may or may not have been crucified, buried and resurrected. Fact-or-fiction notwithstanding, Sunday, March 31, is Easter.

It started a long time ago, with a fella who may or may not have existed, and who may or may not have been crucified, buried and resurrected. Fact-or-fiction notwithstanding, Sunday, March 31, is Easter. For some, Easter Sunday is a devout and religious celebration in which the miraculous resurrection of God’s only son is remembered fondly and enjoyed accordingly. For others, it’s all about the chocolate, baby.

March 28, 2013 01:00 AM

Abandoned homesteads on plains of matted golden grains. A door’s once glorious enframement, now peeling like an onion, pieces of its papery skin withering at its feet. A pristine cerulean bedroom, empty save for squares of sunlight from a four-pane window. Forgotten houses collapsing under the weight of moss, mold and time.

Abandoned homesteads on plains of matted golden grains. A door’s once glorious enframement, now peeling like an onion, pieces of its papery skin withering at its feet. A pristine cerulean bedroom, empty save for squares of sunlight from a four-pane window. Forgotten houses collapsing under the weight of moss, mold and time. These are the images that photographer Jason Rydquist seeks in his visual exploration, from Michigan to the forsaken corners of Oregon, and they will be on display in his show Retrospect starting March 29 at Sam Bond’s.

March 28, 2013 01:00 AM

Eating Jell-O is so passé. At Maude Kerns Art Center, it is art. In its 25th year, the Jell-O Art Show captivates audiences with its jiggling creativity. This time around, the theme for the benefit is “iJell-O.”

Eating Jell-O is so passé. At Maude Kerns Art Center, it is art. In its 25th year, the Jell-O Art Show captivates audiences with its jiggling creativity. This time around, the theme for the benefit — hosted by Maude Kerns and Eugene’s Radar Angels — is “iJell-O.” 

“The iPhone or the iPad is the iJell-O,” says Michael Fisher, the exhibit coordinator at Maude Kerns. “But the artwork doesn’t necessarily have to do with the theme. It can be anything.” 

March 28, 2013 01:00 AM

Before Hannibal Buress started doing stand-up comedy at 19 in Chicago, he wanted to be the “black Howard Stern.” Since then he’s written for Saturday Night Live and 30 Rock and has appeared on Louie, Conan and Jimmy Kimmel Live!

Before Hannibal Buress started doing stand-up comedy at 19 in Chicago, he wanted to be the “black Howard Stern.” Since then he’s written for Saturday Night Live and 30 Rock and has appeared on Louie, Conan and Jimmy Kimmel Live! In 2012, he released his first Comedy Central special “Animal Furnace,” and now he’s working on his new web series Talking to Strangers, in which he interviews musicians like The Root’s Questlove. Just don’t ask him when it premieres, because, well, he has no idea. 

March 21, 2013 01:00 AM

Tango is more than simply a dance; it is a means of seduction and romance. And while its origins are rooted in South American culture, the tango has become an international language. 

Tango is more than simply a dance; it is a means of seduction and romance. And while its origins are rooted in South American culture, the tango has become an international language. 

March 14, 2013 01:00 AM

The Actors’ Table of Eugene (T.A.T.E.) is showcasing some of the best comedy for women ... and potatoes. This installment of Eugene’s eclectic readers’ theater will feature some sort of spud in every offering. Local actresses will read from their favorite comic pieces, and so long as there’s a potato involved, it’s no-holds-barred on the material.

March 14, 2013 01:00 AM

I guess I let myself feel complacent, thinking that after the last election, when Obama and the Dems turned back the wingnuts, and D’Faz thrashed Tea-Partier Art Robinson, I could maybe relax a little, stop lathering about politics and concentrate on the pleasures of life: I’d think and write about my beamish grandkids, our bursting garden and, of course, bounties in wine.

I guess I let myself feel complacent, thinking that after the last election, when Obama and the Dems turned back the wingnuts, and D’Faz thrashed Tea-Partier Art Robinson, I could maybe relax a little, stop lathering about politics and concentrate on the pleasures of life: I’d think and write about my beamish grandkids, our bursting garden and, of course, bounties in wine.

March 14, 2013 01:00 AM

When you inherit the wind, hold onto your hat: You never know where you might end up. Or do you? I’m speaking, of course, about the 1955 play Inherit the Wind, written by Jerome Lawrence and Robert Edwin Lee and dramatizing the 1925 Scopes Monkey Trial.

When you inherit the wind, hold onto your hat: You never know where you might end up. Or do you? I’m speaking, of course, about the 1955 play Inherit the Wind, written by Jerome Lawrence and Robert Edwin Lee and dramatizing the 1925 Scopes Monkey Trial, which pitted prosecutor William Jennings Bryan against defense attorney Clarence Darrow in a Tennessee court case that questioned whether evolution could be taught in public schools up against the supreme word of God.

March 14, 2013 01:00 AM

“There’s just no one who can touch her. Hell, I hang on every line,” Jimmy Buffet once sang of Patsy Cline. She is so much more than the first female country singer to headline her own tour, to perform at Carnegie Hall and to truly break down barriers of gender in country music.

“There’s just no one who can touch her. Hell, I hang on every line,” Jimmy Buffet once sang of Patsy Cline. She is so much more than the first female country singer to headline her own tour, to perform at Carnegie Hall and to truly break down barriers of gender in country music. She is more than a tragic legend of young talent, villainous prompters and a cheating husband. She is a voice so strong and soulful you begin to wonder why you ever bothered listening to anyone else try to sing.

March 14, 2013 01:00 AM

They’ve checked to see if Pop Rocks and Coke will make your stomach explode and tried to tip over a car with a jet engine, but they’ve never put a poodle in the microwave (that would be cruel). The show started off busting “urban legends,” Mythbusters star Jamie Hyneman admits, but “Mythbusters sounds better than Legendbusters.”

They’ve checked to see if Pop Rocks and Coke will make your stomach explode and tried to tip over a car with a jet engine, but they’ve never put a poodle in the microwave (that would be cruel). The show started off busting “urban legends,” Mythbusters star Jamie Hyneman admits, but “Mythbusters sounds better than Legendbusters.”

True. 

March 13, 2013 11:04 PM

Eugene needs a new place to grind. That’s why Ninkasi Brewing’s Pints for a Cause benefit March 18 will support the proposed Washington-Jefferson Skatepark and Urban Plaza.

Eugene needs a new place to grind. That’s why Ninkasi Brewing’s Pints for a Cause benefit March 18 will support the proposed Washington-Jefferson Skatepark and Urban Plaza. The 23,000-square-foot, custom-designed skate terrain needs to raise a total of about $240,000 — luckily not all in one night — for the project, which will be built in the summer and fall. Pints for a Cause features music by dj foodstamp and Hot Milk, plus food by The Sandwich League. Check it out 5-9 pm Monday, March 18, at Ninkasi Brewing, 272 Van Buren St.

March 7, 2013 01:00 AM

Mustachioed Renaissance man John Hodgman has accomplished pretty much everything a nerd-dandy could ever want: doling out advice for McSweeney’s, serving as humor editor for The New York Times Magazine, contributing to This American Life, appearing on The Daily Show, Battlestar Gallactica and Community, and writing a trilogy of deliciously fictional almanacs.

Mustachioed Renaissance man John Hodgman has accomplished pretty much everything a nerd-dandy could ever want: doling out advice for McSweeney’s, serving as humor editor for The New York Times Magazine, contributing to This American Life, appearing on The Daily Show, Battlestar Gallactica and Community, and writing a trilogy of deliciously fictional almanacs. Now, he takes on stand-up comedy, or his own esoteric, foppish version of it.

March 7, 2013 01:00 AM

Kaila Farrell-Smith wants to decolonize her mind, and yours. She wants to repair the damage of the brutal concept from her father’s childhood: “Kill the Indian. Save the Man.”

Kaila Farrell-Smith wants to decolonize her mind, and yours. She wants to repair the damage of the brutal concept from her father’s childhood: “Kill the Indian. Save the Man.” The Portland-based painter is exploring “split-headedness,” which she says “comes from being raised within an indigenous/tribal paradigm as well as having education in linear, Western concepts and society,” through her oil portraits and landscapes.

February 28, 2013 01:00 AM

The opening chapter of The Missing Italian Girl plays out like a scene from a Merchant Ivory film; the year is 1897, the city is Paris and three shrouded figures dodge the ghoulish cast of gas lamps near the Gare de l’Est as they bring a special (and posthumous) delivery to one of the city’s dumping waters, the Basin de La Villette.

The opening chapter of The Missing Italian Girl plays out like a scene from a Merchant Ivory film; the year is 1897, the city is Paris and three shrouded figures dodge the ghoulish cast of gas lamps near the Gare de l’Est as they bring a special (and posthumous) delivery to one of the city’s dumping waters, the Basin de La Villette. In the city of lights, on a warm summer night at the turn of the century, the trio is taking a great risk.

February 28, 2013 01:00 AM

Kennedy’s enthusiasm for this project isn’t just about the chance to do a great play by a couple of iconic female writers, although that’s certainly a plus. Between the two of them, the Ephron sisters have penned the screenplays for When Harry Met Sally, The Sisterhood of the Traveling Pants, Julie & Julia and so many more wildly popular films.

“What a twist of fate!” Storm Kennedy exclaims, as she prepares her role in Love, Loss, and What I Wore, a play by sisters Delia and Nora Ephron, based off the book by Ilene Beckerman.

February 28, 2013 01:00 AM

Spectators were treated to a couple of close bouts Saturday, Feb. 9, at the Lane Events Center. The sold-out crowd of 1,200-plus came out to see the Sick Town Derby Dames of Corvallis take on the local Flat Track Furies and the Andromedolls vs. Church of Sk8in.

Spectators were treated to a couple of close bouts Saturday, Feb. 9, at the Lane Events Center. The sold-out crowd of 1,200-plus came out to see the Sick Town Derby Dames of Corvallis take on the local Flat Track Furies and the Andromedolls vs. Church of Sk8in.

February 21, 2013 01:00 AM

The Jordan Schnitzer Museum of Art is delving deeper into the belly of ’60s and ’70s counterculture art with Advertising the Contradictions, an exhibit that explores the collision of art, culture and politics through the eyes of local artist Violet Ray.

The Jordan Schnitzer Museum of Art is delving deeper into the belly of ’60s and ’70s counterculture art with Advertising the Contradictions, an exhibit that explores the collision of art, culture and politics through the eyes of local artist Violet Ray. While not part of the official West of Center: Art and the Counterculture Experiment in America exhibit that opened Feb 8., the JSMA added the local artist’s work because of its role in Vietnam anti-war protests — his photo collages were reprinted on fliers and widely distributed.

February 21, 2013 01:00 AM

Near Amazon and 19th is a theater that seats 1,000 people — it is the second largest theater in Eugene. Its cavernous room glows warmly from the theater lights hitting the sea of red velvet seats. 

Near Amazon and 19th is a theater that seats 1,000 people — it is the second largest theater in Eugene. Its cavernous room glows warmly from the theater lights hitting the sea of red velvet seats. The elegant curve of the stage leads the eye to a custom-welded circular light piece, twinkling as it hangs above four candy-colored carousel horses — the quartet is hand-carved and painted, and worth $60,000. The theater director and his leading cast gather in the aisle, chattering about the opening night of their production, Carousel, on Feb. 21.

February 21, 2013 01:00 AM

The work of illustrator and graphic novelist Elizabeth Blue might best be described as “Southern Gothic.” Her approach incorporates themes of romance, crime, fairy tales and family relationships to fashion compelling visual narratives.

The work of illustrator and graphic novelist Elizabeth Blue might best be described as “Southern Gothic.” Her approach incorporates themes of romance, crime, fairy tales and family relationships to fashion compelling visual narratives.

February 21, 2013 01:00 AM

Most people listen to vinyl; some go as far as to frame their favorite record sleeves and display them proudly on their walls while others use them as a blank canvas.

Most people listen to vinyl; some go as far as to frame their favorite record sleeves and display them proudly on their walls while others use them as a blank canvas. On Feb. 23 you can see and purchase repurposed record art at the 4th annual Beats & Brushstrokes silent auction hosted by the UO Emerging Leaders in the Arts Network (ELAN). But make sure to get there early; last year’s event quickly reached capacity, and there was a line out the door.

February 21, 2013 01:00 AM

Silver Falls State Park is Oregon’s largest state park, with more than 9,000 acres to explore. The early American history of the area included private ownership of South Falls. The owner pushed old cars into the canyon and charged 10 cents to see the falls. Thankfully that insane use of such a fantastic area has ended.

Silver Falls State Park is Oregon’s largest state park, with more than 9,000 acres to explore. The early American history of the area included private ownership of South Falls. The owner pushed old cars into the canyon and charged 10 cents to see the falls. Thankfully that insane use of such a fantastic area has ended. Early logging removed much of the massive trees that once surrounded the incredible falls in the area. American activity around Silver Falls in the early years of settlement was based primarily on exploitation.

February 14, 2013 01:00 AM

Forget rabbits with pocket watches. Forget tea parties. Forget Alice in Wonderland. Work Dance Company director and choreographer Nathan Boozer wants to take you down another rabbit hole into his Wonderland.

Forget rabbits with pocket watches. Forget tea parties. Forget Alice in Wonderland. Work Dance Company director and choreographer Nathan Boozer wants to take you down another rabbit hole into his Wonderland, an upcoming Feb. 15 show at the Hult Center that takes a look through the hip-hop looking glass at lands filled with music, butterflies, candy, zombies and Lady Gaga.

February 14, 2013 01:00 AM

What changes could gardeners here in the Willamette Valley be making in response to climate change? Weather uncertainty should be a more powerful guide than rising global temperature, Deppe argues.

The numbers are in, says The New York Times: 2012 was the hottest year ever recorded in the contiguous U.S. 2012 also turned out to be the second-worst on record for climate extremes, amassing 11 weather disasters that exceeded $1 billion in costs, including tornadoes, freak storms, floods and catastrophic drought. Globally, the decade from 2000 to 2010 was the warmest on record. Nobody who is under 28 has lived through a month of global temperatures that fell below the 20th century average, because the last such month was February 1985. Welcome to a warmer world. 

February 14, 2013 01:00 AM

About halfway through the first act of Student Productions Associations’ staging of Stephen Sondheim’s Company at LCC’s Blue Door Theatre, I happened upon an idea so absurd it brought on a viciously improper fit of giggles: Imagine adapting one of John Cassavettes’ movies — say, Faces or A Woman Under the Influence — for the stage, and then casting it with nothing but 8-year-old actors.

About halfway through the first act of Student Productions Associations’ staging of Stephen Sondheim’s Company at LCC’s Blue Door Theatre, I happened upon an idea so absurd it brought on a viciously improper fit of giggles: Imagine adapting one of John Cassavettes’ movies — say, Faces or A Woman Under the Influence — for the stage, and then casting it with nothing but 8-year-old actors. It’s a chilling proposition.