Eugene Weekly

The Cascadia Bioregion, according to Bend-based independent filmmakers Mel Sweet and Devin Hess, “is defined by geomorphology, including all watersheds that flow west from the continental divide through the rainforests of the West Coast.” It extends from the southeast Alaska Panhandle south into northern California and as far east as Missoula, Mont. Continue reading →

Four years ago, this country was gearing up to elect Team Obama-Biden or Team McCain-Palin. Four years ago there were flag pins, Bill Ayers and lipsticked pigs instead of Big Bird, Bain and bayonets. Four years ago, Mitt Romney was a blip on the election trail and the U.S. was toppling into one of the largest economic downturns in history. And four years ago, the David Minor Theater (DMT) opened at 5th and Pearl St., bringing film and libations to Eugene. Friday, Nov. 2, the theater will host a “Re-election Party” to mark the conclusion of that crucial first term. Continue reading →

Like socialism, the words labor and union, have become dirty in today’s political climate. But this wasn’t always so. These words have undergone a slow, steady and deliberate connotation reassignment, now signifying fascism, communism, redistribution of wealth and anti-democratic and anti-competitive practices, and perhaps that’s why anyone born after 1980 is probably not familiar with the Reuther family like they are with the Kennedys. Continue reading →

2012 is flying by, people. The end is nigh, supposedly, on Dec. 21, and so this month, the University of Oregon Folklore program began a series of film screenings entitled “Apocalypse Now … and Then” that will run weekly through Wednesday, Nov. 21. Take a wild crack at what the films are about — yep, you guessed it: the end of the freaking world. The series includes such films as Children of Men (10-24), The Omega Man (11-7), Night of the Comet (11-21) and other such apocalyptic works. Continue reading →

High expectations sometimes lay you low, and the very word “superhero” spurs one’s anticipation of a movie adaptation to leap tall multiplexes in a single bound and travel faster than a speeding bullet to the box office. It can’t be helped. Walking into the July 20 midnight premiere of The Dark Knight Rises, my hopes were high. I assumed that this grand finale would be not only a step above all predecessors, but also well worth the particular discomfort of cramming into a packed theater at midnight. Neither of these assumptions panned out. Continue reading →