A Revolutionary Art Exhibit

The Schnitzer’s West of Center will flip the museum establishment in more ways than one

The UO Jordan Schnitzer Museum of Art is trying to capture an era, an art movement, a revolution.  When artists use drugs, publications, shelter and lifestyle as tools for expression just as artists preceding them employed cameras, paint and clay; when artworks don’t fit neatly into a gilded frame or beneath a sparkling glass case, museums must adapt and turn the establishment on its head.  Continue reading 

Ahoy! Betty and the Boy!

The Del McCoury Band, Punch Brothers, the Steep Canyon Rangers and … Betty and the Boy? Josh Harvey (vocals, mandolin, banjo, harmonica) is the first to admit surprise that Betty and the Boy are joining the first-ever Mountain Song at Sea, a “best of bluegrass” cruise from Miami to the Bahamas featuring 12 major bluegrass acts, in early February. “We don’t necessarily play bluegrass,” Harvey tells EW, laughing. But he says the band does use some traditional bluegrass instrumentation — fiddle, banjo, mandolin and upright bass. Continue reading 

Brotherly and Sisterly Sunshine Love

The tunes from the California-based band He’s My Brother She’s My Sister are so sun-drenched and punchy it will make you want to burst out your front door in skivvies, popsicle in hand, and declare to the neighborhood that “Summer is here!” OK, it’s January in Oregon, so put a robe on already, flick on your sun lamp and drop the needle on their 2012 EP Nobody Dances in This Town. But I couldn’t possibly describe their music better than LA Weekly: “Their voices mingle like glamour in the desert,” and “party music for coyotes drunk on champagne.” Who doesn’t want to party Continue reading 

Drunk Bashes Sax in the City

At bar close in the Barmuda Triangle on Tuesday, Dec. 4, Tomo Tsurumi — saxophonist for Volifonix and origami artist — was attacked by a twenty-something Caucasian male with fair, long curly hair. Tsurumi, who has been busking with his alto saxophone in downtown Eugene for the past seven years, says he had stepped into Jameson’s for one beer before bar close. Upon exiting, Tsurumi was approached by a “drunk and happy” man. Continue reading 

The Art of Restorative Justice

Eugene conference illustrates how the arts can teach and heal

More than 130 years after Fyodor Dostoyevsky wrote The Brothers Karamazov, UO professor and UNESCO chair Steven Shankman explored the meaning of the Russian novelist’s text within the walls of Salem’s Oregon State Penitentiary. Shankman describes it as “one of the extraordinary moments in class,” or the Inside-Out Prison Exchange Program, in which Shankman brought students from the UO to discuss literature and ethics with Salem inmates. One passage in particular left a lasting impression on the students: Continue reading