Celebrating Excellence
Limits persist on what blacks can accomplis
Notes From The Riverside Continue reading
We've got issues.
Notes From The Riverside Continue reading
Paul Robeson once observed: “The man who accepts Western values absolutely, finds his creative faculties becoming so warped and stunted that he is almost completely dependent on external satisfactions, and the moment he becomes frustrated in his search for these, he begins to develop neurotic symptoms, to feel that life is not worth living and, in chronic cases, to take his own life.” Continue reading
I’ve had this sense of it, open season, aka socially sanctioned targeting, since age 7, reinforced at 19, and lulled into a Eugene false sense of security pushing 60. I admit to a certain numbing grief over my lifetime composed of anger, rage, sadness, depression, loss and, finally, resolution. Being black bears the responsibility of acting as though you have some wisdom (at least sense, good freedom-fighter home training) and are working for the liberation of human beings everywhere. Continue reading
It’s summer, and that means rites-of-passage time when I do workshops for African-American related youth on preventing addiction and problems related to sexuality, whether or not you’re under the influence. I combine 21st-century knowledge with 25th-Dynasty wisdom, i.e. African Old School. It’s about keeping your spirits, your wits and your body safe, as well as safeguarding those around you. Continue reading
Part of my Eugene Experience is mentioning observances of famous birthdays, like Martin and Malcolm, and getting the response: “Martin who?” or “Malcolm who?” Even mentioning Angela’s work on the prison-industrial complex, and the school-to-prison pipeline, and people saying “Angela who?” Black History Month grew from Carter Woodson’s Negro History Week, which was situated to encompass two birthdays, Lincoln and Douglass, so we would always remember the contradictions of America, who actually freed us and wanted us free, and who took the credi Continue reading
This year marks my 30th year in Oregon. To celebrate, I took in a double feature which exemplifies the two poles of my Oregonian experience. 12 Years a Slave and Gravity, both films helmed by directors of color. 12 Years served to ground me in reality, while Gravity took me to my favorite fantasy: a world without borders, floating free among the stars. The reality of space, though, is that it has no breathable atmosphere, extremes of hot and cold and is always trying to kill you, nothing personal. Same with Oregon; sometimes we don’t like your kind. Continue reading
The air was calm, the birdsong brisk, as sunlight slanted through the canopy, spotlighting the Wiley Griffon Historical Monument in the Eugene Masonic Cemetery. It may have been a trick of the light, but Wiley’s bronze eye sparkled. The Preacher and I stood looking out into the forest, overlooking the gravesite on the 50th anniversary of the assassination of Medgar Evers, June 12. Continue reading
A play celebrating the life of Paul Robeson March 8 and 10 at the Lane Community College main campus will benefit the LCC Black Student Union (BSU) scholarship fund. Dr. Stanley Coleman, a director and actor now on the faculty at LCC, plays Paul Robeson in the one-man Broadway play by Phillip Hays Dean. Continue reading