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Molly Templeton was Eugene Weekly's longtime arts editor, now freelance movie reviewer. She is publicity manager at Tin House Books.
There are several spoilable things in The Fate of the Furious, and most of them have to do with family — “family” being the eight-film … Continue reading
Danny Boyle’s Trainspotting, released in 1996, felt instantly mythic. A grubby, inspired adaptation of Irvine Welsh’s novel that stars a vibrant, nearly vibrating Ewan McGregor, … Continue reading
There shouldn’t be anything more enjoyable than watching David Oyelowo and Rosamund Pike making their way through a biopic deftly directed by Amma Asante (Belle). … Continue reading
If you’ve seen either of the previous Wolverine movies, you may harbor some entirely understandable skepticism about why the grumpy mutant needs a third solo … Continue reading
Get Out’s opening scene appears, at first, disconnected from the main story — a moment that simply sets the stage. As a young black man … Continue reading
Oddly enough, it was a misguided defense of Elle that made me come around — to some degree — to Paul Verhoeven’s latest Rorschach test … Continue reading
For the first 30 minutes or so, Passengers is a decent film. If you like Chris Pratt, you’ll probably raise that decent to a “good” … Continue reading
There’s never been a Star Wars movie as simply beautiful to look at as Rogue One: A Star Wars Story. Whatever his other flaws as … Continue reading
Tom Ford’s second feature, , is a movie within a movie, and while both are lushly attractive, full of precise light and deep reds, neither … Continue reading
“Not all opinions are equal.” This statement, tucked into Denial with little fanfare, forms the meat of the film’s focus. A sturdy yet affecting courtroom … Continue reading