Growing Up Gay

Local actor Brian Haimbach discusses his play How to Be a Sissy

Brian Haimbach

How to Be a Sissy, a new solo work by actor-writer Brian Haimbach, opens with the memory of a little boy wearing a towel on his head and imagining that he has long, glorious hair.  “I always played with dolls, as early as I can remember,” says Haimbach, who directs the theatre program at Lane Community College. “I don’t remember when I started putting the towel on my head — maybe about third grade.” As a boy, Haimbach’s mother made him keep his hair closely cropped. Continue reading 

Walk Like A Man

Jersey Boys tells the Frankie Valli and Four Seasons story

Jersey Boys opens March 1 at the Hult Center

The earworm train is coming to Eugene: “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man,” “Can’t Take My Eyes Off of You”— the list goes on. Song after song, hook after hook, all from Frankie Valli and the Four Seasons from their glory days in the ’60s and ’70s. Yep, Jersey Boys, the Broadway smash hit, makes its way to the Hult Center March 1-6 with a fairytale about four friends from Newark and their meteoric rise to fame.  Continue reading 

To Bee or Not to Bee

Funny is the word in Cottage Theatre’s production of The 25th Annual Putnam County Spelling Bee

The cast of The 25th Annual Putnam County Spelling Bee at Cottage Theatre

What if you could peer into the hearts and minds of the participants of a middle-school spelling bee, just to see what makes them tick? What’s motivating them? What performance rituals do they employ to correctly spell words like autochthonous or eudaemonic? Cottage Theatre’s new production of The 25th Annual Putnam County Spelling Bee answers these questions and more in a winning production directed by Mark VanBeever.  Continue reading 

DanceAbility International will offer a free screening and discussion of Afternoon of a Faun

Danceability’s Karen Daly

On Jan. 8, DanceAbility International will offer a free screening and discussion of Afternoon of a Faun, a critically acclaimed film that tells the story of Tanaquil Le Clercq, muse to choreographers George Balanchine and Jerome Robbins. At 27, “Tanny” contracted polio, her legs were paralyzed and she never performed again. “She was a strong woman,” writes DanceAbility’s Kathryn Gaines, “emboldened by inner strength and love of life.”  Catch the film at 7 pm Friday, Jan. Continue reading