Gettin’ weird with Baby Gramps

Seattle in the ’90s was the kingdom of super fuzz and big muff, as greasy-haired white boys in skinny jeans crunched out Neanderthalic riffs like The Kinks on horse ludes. It was a glorious time, full of sound and fury, signifying Sub Pop Records. Iggy was god. Everyone was touching each other and getting sick. And through all that nevermind noise, this beardy old dude with a froggy voice and clangy guitar continued to ply his strange old-timey stylings, laying down this wonky-doodle groove that was like a surreal vaudeville patter horned through the swordfish trombone. Continue reading