Eugene Weekly

Xylouris White is the sound of two people making music in a room. Person number one is Jim White of well-known Australian experimental rock trio Dirty Three. Person two is George Xylouris, one of Crete’s most beloved musicians, on vocals and lute.  The result, evidenced on “Forging” from the duo’s 2016 release Black Peak, is something akin to punk, but also deeply rooted in the folk tradition of Xylouris’ native Crete. And like many folk traditions, there’s formalism but also creative naiveté — celebration, mourning and catharsis.  Continue reading →

There’s a song called “City of Angels” from The Head and The Heart’s third release, Signs of Light, and the album’s cover image shows the band lounging around a pool on a sunny afternoon.  All this seems to signal a shift for the Seattle musicians away from the delicate, cloudy indie-folk sound they came up under — the same sound popularized by contemporaries like Blitzen Trapper, Avett Brothers and Mumford and Sons.  Continue reading →

For Rafferty Swink of Brooklyn psych-soul outfit Evolfo, his band’s upcoming show at Hi-Fi Music Hall in Eugene is a homecoming of sorts.  “I grew up in Ashland,” Swink explains to EW. “Oregon is my home.” Continue reading →

After five years in Brooklyn, Eugene-born musician Justin King has come home. “All my oldest friends and family are here,” King explains. “It’s really where my roots are,” he continues. “Brooklyn was getting even more overrun and expensive and crazier and crazier. I wanted to come back and focus on my own music.” Since being back in town, King’s band King Radio has released a four-song EP, Adaline, available now on SoundCloud.  Continue reading →

If you’re anything like me, and I know many of you are, you grew up on a lot of ’80s and ’90s-era British guitar pop. Why? In my case, Brit bands seemed allowed a larger breadth of sensitivity and intelligence than their constantly macho Yankee colleagues. And, of course, there are those accents: romantic, working class, exotic and endlessly cool. Has the sound aged? Certainly. But in the end, haven’t we all? Continue reading →

Bonnie Bloomgarden of Los Angeles’ Death Valley Girls says her band’s latest release, Glow in the Dark (out now on Burger Records), was inspired by ancient Egypt.  “We were asked to play a show for a mummy exhibit,” Bloomgarden tells EW. “These mummies had been in Chicago since 1890 until they came here to L.A. We realized this potentially could be the first time ever that they heard rock ‘n’ roll.” “What if we had the power to wake them?” Bloomgarden continues. “After we wrote the songs we thought, ‘Well, we’ve got to record them now.’” Continue reading →