We've got issues.
Will Kennedy is a freelance writer and a senior music writer with Eugene Weekly. He lives in Eugene with his wife, daughter and two cats. All of whom politely accommodate his obsessions with Doctor Who and The Smiths.
A brand new Eugene band, Ghost Tour, debuts Saturday, July 2, at Hi-Fi Music Hall’s Lounge. Ghost Tour features several familiar faces for Eugene music fans, such as Olive DelSol (Bohemian Dub Orchestra) on keyboards and vocals, and Michael Steinkirchner (Caitlin Jemma & The Goodness) on lead guitar. Continue reading
Stephen Buettler is the principal provocateur behind rising Eugene band Pancho + The Factory. He’s also the primary songwriter and vocalist. Sitting next to me at the bar in Eugene’s Wayward Lamb, Buettler vibes like an off-duty, dock-working Pagliacci with a rock ‘n’ roll edge — due in no small part to his blue-collar handlebar moustache and black fingernail polish. He has a malleable, expressive face, a gentle, kindhearted sadness in his eyes and a soft, teddy bear-like physique that some might call cuddly. Continue reading
California’s Sonny & The Sunsets current release, Moods Baby Moods, is a contender for 2016’s album of the year. The record’s elements are familiar: ’70s and ’80s English New Wave and New York art-pop grooves mix with Lee Scratch Perry-style studio experimentation and wubba-wubba dub atmosphere. Continue reading
For touring bands, finding a reliable person to run the merch table, selling assorted paraphernalia, can be a challenge. But on one of Jaill’s passes through Eugene, the band found a creative solution. “We were bringing an elderly man-puppet on tour to help sell merch,” recalls Jaill bandleader Vincent Kircher. “We were putting taquitos in its mouth, glasses on his face and people posed with the doll. That sounds dumb and unfun, but it wasn’t.” Continue reading
In any era, Bob Dylan is a transcending icon of cool. Other ’60s-era musicians tried to break the rules but Dylan, rebellious and irreverent, made up a whole new game. At this point, Dylan is everywhere; many of his tunes are as ubiquitous as “Baa, Baa, Black Sheep.” Almost everyone’s life seems to intersect with this jangly-limbed trickster from Minnesota. So the question is not so much are you a Dylan fan, but what is your Dylan discovery story? Continue reading
Chekov updated for a post-Prozac world in OCT’s uneven production of Vanya and Sonia and Masha and Spike As with writers David Mamet or Aaron Sorkin, to properly experience playwright Christopher Durang you first have to commit to the musical rhythms of his language. Durang’s humor, dark and cynical as it is, lies within that rhythm. Continue reading
L.A. hardcore industrial duo Youth Code is touring in support of its second studio record, Commitment to Complications. With this record, Youth Code, featuring Sara Taylor and Ryan George, push deeper into the rough, serrated electronic territory of bands like Skinny Puppy, Godflesh and Ministry. This is not pleasant music, but it is thrilling, challenging and rewarding. Hardcore vocals accompany a throbbing, pulsating beat that almost inspires you to dance but instead hammers your consciousness into a brutal kind of awareness. Continue reading
Nora Murphy Hughes of Portland band Hollow Sidewalks is eight months alcohol-free. She says this transformation in her life is reflected on her band’s new record, Year of the Fieldmouse. “Last year, when we did our first album, I was pretty fucked up — drinking and drugs,” Hughes explains. “It’s definitely a brighter, happier record than the last one. Overall there’s a more optimistic tone.” Continue reading
Indie video game developers from as far away as Seattle will showcase their work as part of Indie Game Play Test Night Friday, May 27, at Shoryuken League in downtown Eugene. Event coordinator Britt Brady says it’s crucial that game developers get their projects in front of a game playing audience as early as possible. “Game developers are very close to their games,” Brady says. “Before their game is out, this is a way for indie developers to get the public playing it — see what’s fun, see what people like, find bugs and also promote it.” Continue reading
The music of Canadian indie-rock group Supermoon is built from elements so delicately stacked it seems a cool breeze might knock them over. You want to catch the sound in a butterfly net, put it in a glass jar and keep it safely tucked on a shelf. “It’s pretty poppy with a dark undertone,” says Supermoon multi-instrumentalist Adrienne LaBelle, describing the band’s new release Playland. The album is out this month on Mint Records. Continue reading