Author: William Kennedy

Ghosts of the Dead

University Theatre's Scorched examines the plight of war refugees

Theater
University Theatre's Scorched examines the plight of war refugees

Written in 2003, Scorched is by Lebanese-Canadian writer Wajdi Mouawad. Opening Thursday, March 3, University of Oregon theater arts instructor Michael Najjar directs the play at University Theatre.  “Scorched is about a pair of twins who attend the reading of their mother’s will,” Najjar explains. “They are charged by their mother to find their father and brother they never knew they had.” If the siblings don’t follow this request, they are not allowed to bury their mother properly.  Continue reading →

Slice of Heaven

OCT'S Silent Sky tells the story of hearts and stars

Theater
Inga R. Wilson (left) and Erica Towe in OCT's Silent Sky

Lauren Gunderson’s 2011 play Silent Sky is about succeeding and failing, seeking and discovering, journeying and arriving. That is to say, it’s the story of a life — the life of astronomer Henrietta Leavitt. Silent Sky, directed by Elizabeth Helman, is playing now at Oregon Contemporary Theatre. Working at Harvard at the turn of the 20th century, Leavitt made significant discoveries leading to the development of the Hubble Telescope.  Continue reading →

Word Crazy

March in Eugene is filled with events for writers and readers

Books
Author Jacquelyn Mitchard

The third annual Wordcrafters Conference returns to Eugene this week. Wordcrafters aims to provide “writers and readers opportunities to strengthen their craft, deepen their connection with literature and share their knowledge with each other and with future generations.”  The conference features two days of workshops and on Friday, March 4, bestselling author of Two If by Sea, Jacquelyn Mitchard, speaks at 7 pm in the UO Baker Center downtown, 975 High Street; FREE, wordcraftersineugene.org. Continue reading →

Drone Grrrls

Seattle band Chastity Belt

Music
Chastity Belt

Last year, Seattle band Chastity Belt released its debut, Time to Go Home, on Hardly Art, a subsidiary of Sub Pop Records used to foster and grow interesting bands that might not otherwise be quite ready for prime time.  The album runs the gamut of Northwest indie rock: a little Riot Grrrl here, a little Nirvana there, a little Sleater-Kinney elsewhere. Listen closely and hear the guitar tone of REM’s Peter Buck on the song “Trapped.”  Continue reading →

Built to Last

Boise’s Built to Spill

Music

What is the sound of Northwest rock? Some might answer Bikini Kill, Nirvana, The Wipers or even The Kingsmen. Ladies and gentlemen of the jury, I posit it’s Boise’s Built to Spill.  The evidence? The music of Built to Spill is like a day that’s ended up rainy when you expected sun. Doug Martsch’s nasally tenor sounds like damp basements, guitars, drums and bass intertwined in a woozy haze, fueled equally by beer, weed and disappointment.  Also the band’s longevity: Built to Spill have been at it since ’92, and in that time they’ve remained remarkably consistent.  Continue reading →

Surrealist Doom Pop

Ohio’s Saintseneca

Music
Saintseneca

Last year, Ohio’s Saintseneca released Such Things, one of the freshest, and yet familiar, indie-rock records of 2015.  Saintseneca’s guitar-based music is sweetly earnest, exhibiting the infectious melodies and charmingly snotty lo-fi sensibilities of Pavement. In other words, Saintseneca are quintessential college rock.  Continue reading →

QueerCorePower

A self-identified queer-core duo from upstate New York

Music
PWR BTTM

PWR BTTM is a self-identified queer-core duo from upstate New York that now resides in Brooklyn.  Last year the band gained massive critical buzz with the release of its debut LP Ugly Cherries, a collection of punk and power-pop tunes subverting heteronormative guitar rock reminiscent of Weezer. The track “Serving Goffman” draws comparisons among personal identity, dressing in drag and the costumes worn in corporate America — after all, aren’t we all just roleplaying?  Continue reading →

All That Jazz

University Theatre takes on the rhythms of Pulitzer-winning Water by the Spoonful

Theater
Michael Teague, Meghan Small and Allie Murakami in Water by the Spoonful

Theresa May, associate professor of Theater Arts at the University of Oregon, is directing University Theatre’s current production of Quiara Alegría Hudes’ Pulitzer-winning drama, Water by the Spoonful. The play tells the story of an Iraq War veteran readjusting to civilian life. May says the play is about two intersecting worlds. “One is the world of a Puerto Rican family in Philadelphia,” she tells EW. “The other is a world of online members of an addiction chat room and support group.” Continue reading →