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Will Kennedy is a freelance writer and a senior music writer with Eugene Weekly. He lives in Eugene with his wife, daughter and two cats. All of whom politely accommodate his obsessions with Doctor Who and The Smiths.
Seattle musician Whitney Monge calls her sound “alternative soul,” but don’t expect Aretha Franklin or Al Green — not quite, anyway. “Alternative soul means music coming from a place that we all have: our soul,” Monge says, admitting she’s influenced by heavyweights from soul music, but her sound is a mix of rock and blues. “It’s music that’s relatable. It’s music you can feel,” she says. Continue reading
Electronic dance music is hotter than ever, nowhere more so than in Eugene. “Eugene has been an incredibly supportive place for our band to really thrive and to develop our own unique sound,” says Nathan Asman, who alongside guitarist Keith Randel and drummer Travis Lien makes up the Eugene-based livetronica act Hamilton Beach. “The livetronic-EDM [electronic dance music] scene is very strong and nurturing here,” Asman says, “and there’s no way we would be where we are as a band without the music scene here.” Continue reading
Originally out of Austin, Texas, the now The Dalles-based musician Ben Ballinger says if he had to pick another artist’s song to introduce himself it would be Frank Sinatra’s “My Way.” The song’s words and melancholy tone, alongside a fierce determination, resonate with him, he says. Continue reading
Don’t hate Alexander Cardinale because he has it dialed in. The songwriter, who also sometimes goes by Xander, is coming off a tour with Melissa Etheridge. Cardinale says the exposure afforded him by touring with an established artist like Etheridge was intoxicating. “It’s a performers dream to get to take over a huge stage and have use of full expression,” Cardinale tells EW. “Literally, your expressions get bigger; your performance in general gets bigger; thus your energy is higher, you’re jumping around; the audience is on their feet. I love that.” Continue reading
In 1929, surrealist painter René Magritte scrawled under his painting of a pipe, “Ceci n’est pas une pipe” (“This is not a pipe”), in his famously enigmatic painting The Treachery of Images. Continue reading
San Diego punk band Drug Control evokes the glory days of So Cal bands like Black Flag and Circle Jerks. “We take influences from older East and West coast bands and blend them into our style,” says vocalist Danny Lyerla. And Drug Control’s 2014 debut demo is quintessential American hardcore: short, pummeling, unrelentingly aggressive and athletically angry. With song titles like “Enough is Enough,” “Fried” and “About To Snap,” the record seeps with the revolutionary nihilism hardcore music is known for. Continue reading
The concept behind 2013’s The Clear Blue Pearl from Portland band Morning Ritual sounds more like a sci-fi-fantasy movie than a pop record, complete with a devastating drought, an epic journey and a mysterious “blue pearl.” Continue reading
“KMRIA stands for: Kiss My Royal Irish Ass,” says Casey Neill of Portland-based Pogues tribute band KMRIA. “The reference is from James Joyce’s Ulysses,” Neill says, explaining KMRIA is also referenced in Pogues’ song “Transmetropolitan.” Continue reading
SHOW CANCELED. What would legendary Smiths guitarist Johnny Marr — now in his fifties — say to his 19-year-old self, just about to embark on a career that would lead him to become one of the most widely acclaimed and respected rock musicians of his generation? “Don’t give up.” And what would 19-year-old Marr say to older Marr? “Keep a good haircut.” Continue reading
“We have some great friends from Eugene,” says Sam Owens of Brooklyn-based indie-rock trio Celestial Shore. “All of them are wonderful people and talented musicians. There must be something in the water.” Last spring Celestial Shore opened for indie-rock critical darlings Deerhoof. Now Celestial Shore are coming to Eugene in support of 2014’s Enter Ghost, a collection of guitar-centric indie rock blending the sweet, British-invasion flower power of The Zombies with the taut aggressiveness of ’90s bands like The Pixies. Continue reading