We've got issues.
Will Kennedy is a freelance writer and a senior music writer with Eugene Weekly. He lives in Eugene with his wife, daughter and two cats. All of whom politely accommodate his obsessions with Doctor Who and The Smiths.
If you didn’t know Quinn Deveaux was from San Francisco (which he is), you might guess the retro-flavored songwriter hailed from The Big Easy. Track one off Late Night Drive — the first of two records the popular Bay Area musician is releasing this November — is “Bff,” a New Orleans-style piano tune recalling the legendary musician Allen Toussaint’s slow-rollin’ and gin-soaked simplicity. Continue reading
Stalwart Eugene live act Medium Troy has been undergoing some changes. “We used to be a big band, sometimes as many as 11 people on stage,” says JoJo Ferreira. JoJo and his brother, Jesse Ferreira, form the core of the group. “We had tours where half the band would bail and we’d be stuck without a drummer playing four-hour sets at a taco bar in Medford.” Jo Jo Ferreira continues, “We’d just drink a whole keg on stage and pretend like we didn’t suck. It was a really fun shit show.” Continue reading
Just when many proclaim “Last of!” or “Never again!” along comes a chap like Rufus Wainwright, the sort of entertainer some say “they just don’t make anymore.” Sir Elton John, for one, calls him “the greatest songwriter on the planet.” Continue reading
Molly Hamilton and her songwriting partner Robert Earl Thomas of Widowspeak spent a lot of time on the road after releasing the critically acclaimed Almanac earlier this year. “We were stuck in a car a lot,” Hamilton says. “I was mostly writing down lyrics and ideas for new things, just to get them out of my system.” Continue reading
Consider for a moment the acoustics of a cave: vast and echoing but also claustrophobic and airless — a small drip of water reverberating to the ceiling and from the walls. Now, consider the acoustics of the band Cave and you have the latter. The Chicago-based, frequently instrumental group is celebrating the release of Threace, out Oct. 15 on uber-hip record label Drag City. Continue reading
Veteran songwriter Sean Scolnick, aka Langhorne Slim, says people are looking to get messy. “People want to dance,” he says. “People want to be freaks.” The Nashville-based musician feels this goes a long way to explain the recent chart-topping revival of “roots” music like The Avett Brothers and Mumford & Sons. “People want to strip things back,” Slim concludes. Continue reading
Of all the white-hot techno DJs and producers, few are more molten right now than Anton Zaslavski, better known as Zedd. Zedd’s single “Clarity” (featuring London-based female vocalist Foxes) is arguably the “it” single of 2013: a big, weepy ballad mixed with epic, fist-pumping, club-thumping beats. Continue reading
Don’t call The Evens a side project. “It’s a band,” insists Ian MacKaye, the musician behind some of the most iconic projects in American punk and hardcore music: Minor Threat, Fugazi and founding Dischord Records. After over three decades in the business, the reluctant legend’s passion for music hasn’t waned a bit. “Music is holy,” MacKaye says. Over the years MacKaye has championed a DIY ethos. “I’ve become a poster child,” he says, “but I just did my work.” Continue reading
Rock and pop worked their way into theatrical productions long ago: Jesus Christ Superstar and Hedwig and the Angry Inch to name two. Lately, Broadway has struck gold weaving tunes from pop artists like Abba with 1999’s smash hit Mamma Mia! (coming to the Hult Center January 2014) and Franki Valli in 2005’s Jersey Boys. Continue reading
Any discussion of Neko Case usually revolves around the voice — and a remarkable instrument it is: smoky, agile, delicate, strong, rich, expressive. Hers is a real sound that puts the fakers to shame. Continue reading