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Will Kennedy is a freelance writer and a senior music writer with Eugene Weekly. He lives in Eugene with his wife, daughter and two cats. All of whom politely accommodate his obsessions with Doctor Who and The Smiths.
It’s surprising someone hasn’t done it sooner. On April 16, Ghostface Killah is releasing Twelve Reasons to Die — a companion album to a comic book of the same name. Given the exaggerated, cartoonish bravado and gritty, urban crime-world motifs of hip hop, the pairing makes perfect sense. And the online trailer for Twelve Reasons to Die is full of noir, Tarantino-style atmosphere referencing classic Blaxploitation films. Continue reading
The recipe for an iconic record goes something like this: Take impressionable youth, mix in a fresh take on heartbreak, cook in the heated soul of a teenager and let cool. Those who lament a dearth of classic albums these days often forget that last part, that bona-fide legendary music isn’t always readily apparent, that it takes time for it to rise above the riff raff and noise. Continue reading
Christopher Owens’ former group Girls set the indie world on fire with their 2009 underground hit Album. Owens’ singing voice drew comparisons to Elvis Costello; the songs evoked ’60s power-pop, ’70s punk and contemporary indie rock. Continue reading
Robin Runyan is a four-year CrossFit veteran and coach. She came to CrossFit because other workout and conditioning programs didn’t hold her attention; CrossFit’s quick pace, varying routines, close-knit community and friendly competition appealed to her. Runyan is with me at Eugene CrossFit, near Valley River Center, to guide and coach me through my first workout. I’m far from an exercise enthusiast, so I’m going to need all the help I can get. Continue reading
LA-based Foxygen takes your dad’s classic rock LP collection, consumes it and filters it through their ADHD brains, regurgitating 2012’s Take the Kids Off Broadway or 2013’s We are the 21st Century Ambassadors of Peace and Magic — big, sloppy, messy records referencing everything from the Rolling Stones to the Kinks to the Mysterions, but with a certain post-vinyl-revival sense of irony; like Brooklyn’s MGMT, they don’t limit their frame of reference to punchy classic rock. Continue reading
A guy named Kennedy walks into a bar two weeks before St. Patrick’s Day. That sounds like the start of a bad joke, and sometimes it is. Kennedy: a quintessentially Irish name. St. Paddy’s Day: America’s most Irish of holidays. Commemorating the Patron Saint of Ireland, St. Paddy’s has lost its religious meaning, particularly in the U.S., becoming instead an excuse to eat a lot, drink more and toast all things Eire. Continue reading
Odesza came about when BeachesBeaches and Catacombkid, two well-known Seattle-area producers, joined forces. The results have Pacific Northwest techno fans pretty excited. Odesza, who refer to themselves as a production duo, are glitch-y, dreamy techno, heavy on the chill-out; blending the cut ‘n’ paste minimalism of DJ Shadow, the slow rolling backbeat of hip hop, and indie-tronica like LCD Soundsystem — creating instrumental dreamscapes ideal for a post-club come-down or soundtrack to an overcast Northwestern afternoon. Continue reading
Can vulgarity be artful? Can obscenity be beautiful? Who decides these things anyway? Who knows? Indie hip-hop/rock experiment Why? is pushing the boundaries, trying to find out. “I don’t see Why? as a hip-hop group,” says Josiah Wolf, who forms the core of Why? with his brother Yoni. Josiah says his brother grew up on rap, while his background is in jazz. The two combined these styles with a shared interest in rock ’n’ roll to form Why? Continue reading
A friend of mine uses “stomp/clap band” to describe the recent trend of indie folk/pop, a sound reaching both its penultimate victory and sure sign of eminent decline with The Lumineers appearing at the Grammys and Mumford & Sons’ best album win. “You won’t find any ‘hos’ and ‘heys’ in our tunes,” says Terrible Buttons vocalist and guitarist Kent Ueland, referencing the recent hit “Ho Hey” by The Lumineers. Continue reading
Sometimes it really is all in a name: Bone Thugs-N-Harmony. Since the early ’90s Bone Thugs have blended straight-up thuggery with some sweet Temptations-style harmonies, creating one of the most distinctive rap/soul hybrids of the hip-hop era; all the while maintaining a street edge separating them from other ’90s neo doo-woppers like Boyz II Men. Continue reading