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Will Kennedy is a freelance writer and a senior music writer with Eugene Weekly. He lives in Eugene with his wife, daughter and two cats. All of whom politely accommodate his obsessions with Doctor Who and The Smiths.
Woven Hand’s David Eugene Edwards plays a different kind of Christian rock. The former frontman of 16 Horsepower deals in biblical imagery, writing in the antiquated language of the Old Testament, singing in a dramatic, fevered and shamanic baritone that recalls Peter Murphy of Bauhaus, Andrew Eldritch of The Sisters of Mercy or Mark Lanegan of Screaming Trees. Continue reading
If you’ve ever uttered the words “turn that noise off,” go ahead and stop reading now. If you have any doubt about whether or not you like metal music (and I’m not talking about your older brother Todd’s Van Halen records), and if you don’t align yourself with the hardest of hardcore metal heads — there’s nothing for you here, just move along. OK, am I alone with the true thrashers now? Good. Continue reading
Canadian songwriter Rachael Cardiello’s 2011 EP, One for the Wind, is a quiet little affair, featuring the classically trained violist’s expressive voice against sparse string arrangements, waltz time signatures, old world acoustic songwriting and classic cabaret atmosphere — like the song “Mandolin; Broken String,” complete with a charming Kurt Weill-inflected piano melody. Continue reading
Go to a Casey Neill show and you never know what you might hear. One minute, he’s playing a Celtic-influenced folk song called “Paddy’s Lament;” next, an REM-esque country tune “Brooklyn Bridge;” and then, The Pogues-style punk rocker “Dancing on the Ruins of Multinational Corporations.” Some things remain constant: the influence of traditional music of the British Isles, and a fascination with where classic rock, The Clash and Bruce Springsteen intersect. Continue reading
Over the course of 9 Fiery Furnace records and eleven solo albums, we’ve come to expect odd things from Matt Friedberger. The Furnace’s 2005 release “Rehearsing My Choir” features spoken-word from Friedberger’s Greek-orthodox Grandmother. The keyboardist and composer’s stuff is weird, sometimes unlistenable, but always intriguing and often downright brilliant. Continue reading
It was a battle of opposites at Eugene Weekly’s Next Big Thing finals this year. First up: Paul Quillen — his brooding, acoustic ballads turned Celebration-goer heads who were otherwise occupied on a perfect late-summer Saturday in Eugene with Cart De Frisco and Ninkasi. It ain’t easy filling up an outdoor stage with just voice and guitar, and Quillen had us all holding our breath, listening intently. A relative newcomer to Eugene, Quillen is perfect for the area’s small, intimate venues. Welcome to town, Paul. Continue reading
Some people go to the Oregon Country Fair to lose their inhibitions, their worries, their minds or all of the above; more often than not, though, they just end up losing their cell phones. “Smart phones have memories,” a Samsung LG phone recently lost at the Country Fair tells me. “No pun intended,” the phone jokes, flicking an ash from his cigarette into the street where we are talking. Continue reading
This just in from the Oregon Marijuana Policy Initiative folks. Two pot-related initiatives were gathering signatures for the November ballot, but the OMPI effort failed. The Oregon Marijuana Policy Initiative (OMPI) today filed suit in Oregon Circuit Court against Oregon Secretary of State Kate Brown in response to her office’s disqualification of tens of thousands of valid signatures on petitions for Initiative Petition 24. IP-24 is a constitutional amendment to end marijuana prohibition for adults. Continue reading
There are a lot of reasons I shouldn’t like Breathe Owl Breathe. They sound a bit like Jack Johnson meets Feist in a hookah lounge. They have all the hallmarks of easy-goin’ adult contemporary indie-folk. But there are things going on beneath the surface that set Breathe Owl Breathe apart from the “tailor-made-for-Starbucks” scene. Continue reading