Eugene Weekly

K. Flay’s music is an old fashioned that’s been spiked with a mystery upper: It has an edge you can’t quite put your finger on, … Continue reading →

There are songs, and then there are “art songs.” I hate the latter term, mostly applied to vocal works written by 19th-century classical composers, because … Continue reading →

Isaiah Rashad has honed the flows across hip hop’s many eras and has put a contemporary twist on his craft. The established yet fresh face … Continue reading →

Old school California punk band Social Distortion, together since the late-`70s, has, over time, and not unlike The Clash, adopted the patina of classic rock … Continue reading →

My, my, the country seems to be in a conservative mood. Our con-mander-in-thief wants to take us “back” to an imagined time, somewhere after we … Continue reading →

Music press has roundly called Nosebleed Weekend, the latest release from The Coathangers, a step toward maturity for the Atlanta punk act. So it’s somewhat … Continue reading →

Haven’t heard Ty Segall’s last few records? Don’t worry, he’ll release a few more next week. That’s how it seems with the California singer and … Continue reading →

Audiences perhaps best know Eugene musician and guitarist Gerry Rempel as resident composer with local ballet company, Ballet Fantastique. Now Rempel, along with his group … Continue reading →

I first heard of Seattle band Tacocat (read it backwards!) from friends up north. They said seeing the pop-punk group live was like sighting a … Continue reading →