Eugene Weekly

For the past four years, the husband-and-wife team of singer and guitarist Jen Johnson and drummer Mike Latulippe have fronted Velah, a rather excellent Boston-area indie-rock outfit. Johnson went on record saying that Pale Hands, the duo’s barely year-old electronic band, came about after they wrote a bunch of songs that just couldn’t work for Velah. It’s the sort of thing you’re supposed to say when launching an electronic side project (see: Broken Bells, Postal Service), even if it’s not altogether true.  Continue reading →

“I met Sam Cooke and his wife Barbara, and he turned to her and said, ‘Why don’t you bring her to America with us? We like her,’” Norma Fraser recounts, bursting into laughter.   Fraser has lived in Eugene for a decade and has a lifetime of stories like this, including recording with Bob Marley. Fraser’s parents didn’t even know she could sing until they heard her song on the radio; they wanted her to be a doctor. She didn’t plan to be a singer, much less a reggae legend, not singing a note until she was 14.  Continue reading →

If it’s fiddles you fancy, this holiday season will be merry and bright, because we’re seeing a phalanx of fine fiddlers on Eugene stages to close out 2015.  Continue reading →

For all the fringe, Western flair and Loretta-Lynn inflection, Jenny Don’t — of Jenny Don’t and The Spurs — is a punk rocker at heart.  “No matter how hard we try, we can’t disguise ourselves,” she tells EW over the phone from her Portland home. The same goes for her backing band The Spurs, comprised of Wipers drummer Sam Henry, Pierced Arrows bassist Kelly Halliburton and Adios Amigos guitarist JT Halmfilst.  Continue reading →

Friday at Hi-Fi Music Hall will showcase a fantastic fuzzy spectrum of garage rock, from the surf pop of Seattle’s Tacocat to the ever-evolving punk-rock soul of Portland’s Sallie Ford. “We wanted to play a bunch of our news songs,” Tacocat’s Emily Nokes (vocals) tells EW on speakerphone from a van barreling toward Arizona. She’s referring to Tacocat joining Sallie Ford for this mini Western tour.  Continue reading →

Angela Webber, one-half of Portland nerd-folk duo The Doubleclicks, says we’re living in a golden age of geek culture. “The creation of the internet definitely helped nerds find each other,” Webber tells EW. “If you’re the only person at your high school who loves Doctor Who,” Webber says, “you can find a robust community on the internet that shares that with you.”  Continue reading →

When unimaginable horrors are in the headlines — as they are far too often these days — it’s easy to feel helpless and to wonder what one person can do about so much pain in the world. Continue reading →

There’s no one element that stands out in “Opaque.” Smoke Season’s most popular single from 2014’s Hot Coals Cold Souls starts unassumingly, with guitarist Jason Rosen’s reverb-drenched Gibson SG carefully plucking out a G chord. Singer and keyboardist Gabrielle Wortman then moves into the mix, showing off her range with a few octave leaps before launching into the sort of arms-wide-open chorus that U2 built stadium tours around.  Continue reading →

The Conjugal Visitors’ M.D. “Maz” Elsworth is from Kentucky — the Bluegrass State. He says he considers his Eugene band to be the “Cascadian” equivalent to the Appalachian sound he grew up around. “The epitome of Cascadian, whiskey-land jazz,” Elsworth tells EW, describing his band’s old-timey music, “Cascadian party music.”  Continue reading →

The Eugene Symphony Orchestra continues with the most forward-looking season of any Oregon orchestra in memory this Thursday, Dec. 5, at the Hult Center, with a diverse all-American program that includes the world premiere of Puerto Rican-American composer Roberto Sierra’s Loiza, based on his native country’s famous bomba dance rhythm.  Continue reading →