Incredible Dudes

Shellac

Shellac

Chicago art-rock and post-hardcore act Shellac is hitting the road for its second tour in support of 2014’s phenomenal Dude Incredible. A supergroup comprised of members of Big Black, Mission of Burma, Rapeman and more, the power trio is helmed by revered underground godfather and producer Steve Albini. You might be vaguely familiar with Albini’s body of work, having produced records for Slint, Nirvana, Mogwai, Jawbreaker, Page & Plant and Joanna Newsom, to name a few.  Continue reading 

Dopamine Dreams

Dopapod

Dopapod

Based in the Northeast, prog-rock dance band Dopapod are making a name in the jam band scene. This summer, the band embarks on its first West Coast tour.  “I’m really excited to spend a lot of time in the Northwest this time of year,” Dopapod keyboardist and vocalist Eli Winderman tells EW.  Continue reading 

Outlaw Sounds

Banditos

Banditos

Finding adequate lodging is a constant struggle for touring musicians. If a band is lucky, a generous local will offer up a free place to catch some shuteye before moving on to the next city. Last time the Birmingham, Alabama-based Southern rock sextet Banditos came through Eugene, the band learned an important lesson.   Continue reading 

Blues Legend Blues

John Mayall isn’t particularly in the mood to talk

John Mayall

“People come to our shows because they want to hear what we do. It’s irrelevant what we play,” the 80-year-old Brit bluesman says, circumventing any specific commentary on his tour, his band, his audiences — anything. Mayall’s live shows, famous for their classic grit and wild improvisation, have been the defining characteristic of his career, but he isn’t keen on discussing even that. Continue reading 

Post-Punk Noir

Nostalgist

Nostalgist

Seattle post-punk trio Nostalgist is inspired by the atmosphere of film noir — a cinematic movement popular in the mid-twentieth century known for dark imagery and sinister storylines. “I try to channel my own experiences through a sort of cinematic filter,” Nostalgist vocalist and guitarist Asa Eisenhardt tells EW via email. “My goal is to portray a scene, a feeling or both through evocative language without being pretentious.”  Continue reading 

The Cat Lady Sings

Sarah Donner

Sarah Donner

Sarah Donner is a New Jersey-based singer-songwriter and self-described “creative type.” Her live show includes three guitars and a ukulele. Donner tells EW she plays all four at the same time. All at the same time? Really?  “No,” Donner says. “We have dancing girls,” she jokes, before getting serious: “It’s highly upbeat and entertaining. I try to keep it lighthearted. I don’t want to be ‘that girl with a guitar.’ So I always try and make it funny and quirky.”  Continue reading 

Life’s A Riot

Not A Part of it Live at Old Nicks - Photo by Trask Bedortha

You’re living in a sleepy, shitty, cozy little town and, suddenly, everything changes. It seems to happen overnight, like some bent fairy tale: The restaurants get way better, the drugs improve, coffee shops sprout on every corner, yippies start yammering about gentrification and yesterday’s wine, bourgeois hepcats from L.A. and Phoenix gallop in, now everyone’s either an artist or a suit or a fucking snake. Nostalgia hits the roof. Your rent spikes. Continue reading 

Great Lakes Power-Pop

Frontier Ruckus

Frontier Ruckus

Michigan band Frontier Ruckus is driving through the badlands of Wyoming.  “I’m in the middle of nowhere in Wyoming,” says Matt Milia, Frontier Ruckus vocalist and primary songwriter. “The cell service is a little spotty.”  This sense of expansive loneliness permeates the bittersweet power-pop of the band’s 2014 release, Sitcom Afterlife.  “It was a break-up record,” Milia says. “It was an interesting juxtaposition of dark subject matter and power-pop.”  Continue reading 

Bring Out Your Dead

Eugene reflects on its Grateful Dead legacy on the band’s 50th anniversary

In 1994, I was one year old, sitting in the grass wearing a blue floral dress and eating a Ben and Jerry’s Cherry Garcia Peace Pop. This made sense: Like many children of Deadheads, my parents had brought me to the Grateful Dead show at Autzen Stadium on June 17, 1994.  My parents met in the summer of ’88 on their way to a Dead show at Autzen. My mom had never been to Oregon and needed a ride from Los Angeles; my dad gave her one.  Five years later, I was born and they were taking me to Grateful Dead concerts.   Continue reading