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Had Yelawolf never elevated his game beyond the flush of his furious 2010 mixtape Trunk Muzik, which contained at least one bona-fide masterpiece in “Pop the Trunk,” he’d yet remain a significant footnote in the history of modern hip hop — an Alabama-born rapper of manic intensity and talent who gnawed his initials into the rusty proud husk of Southern culture on the skids of the 21st century. Continue reading
It’s a troubling contradiction that today’s music business — ostensibly an industry of songs — could make a quality songwriter like Ron Sexsmith feel antiquated and out of place. “I feel like a guy who’s making antique tables and chairs,” the Canadian musician tells EW. “I’ve always felt out of place or unfashionable ever since my first record came out.” Continue reading
Mischief Brew still makes music for the same reasons they did in high school. According to lead singer Erik Petersen, his guitar and the road are as addictive as a bad habit. “You’re angry; you need a release,” says Petersen, who also jams on guitar and mandolin for the folk-punk band. “We’re older now. We have jobs, houses, some of us have kids. But it never gets old, and it keeps coming back to you.” Continue reading
Originally from Wainfleet, Ontario, neo-folk quintet Great Lake Swimmers play music as idyllic as their scenic rural hometown. Frontman Tony Dekker’s light, sweet voice and melody-driven songwriting is partnered with familiar bluegrass backing instruments: acoustic guitar, banjo, upright bass and violin. Dekker tells EW, though, that “as a group, we have a deep respect for the folk tradition, but I wouldn’t exactly call us a traditional folk band.” Continue reading
The Northwest metal scene is rife with stoner, doom and black metal stereotypes thick enough to choke out the sun. Still there are a precious few acts that transcend, escaping the mire to unfurl like wildflowers springing from the thorniest of thickets. Amongst these are local favorites Agalloch and Yob, in many ways kindred spirits, though vastly dissimilar in sound. Continue reading
The weeks leading up to Sasquatch! Music Festival, all I could focus on was the chaos that would ensue Memorial Day weekend, May 22-25. Alongside countless new faces and friends, I camped five nights in The Gorge. I forgot my pillows. I forgot my blankets. I even forgot my water bottle. It was the best. Continue reading
Jenny Lewis cruised into town on a rainbow Tuesday night, and she left a pot of gold. For a weeknight performance on the same night that Shakey Graves performed at McDonald Theatre, the WOW Hall was packed. Alt-country songstress Nikki Lane opened. Afterward, the stage was transformed into Lewis’ playground with the Monty Python-esque rainbow imagery from her 2014 album The Voyager. Continue reading
It’s fitting for a band obsessed with Anne Frank to be reclusive. After a 12-year vanishing act, Neutral Milk Hotel is touring again. The group has entered a gilded age, and rightly so. Continue reading
Austin singer-songwriter Alejandro Rose-Garcia, better known as Shakey Graves, wants to scratch all of your respective itches. Drawing from myriad sounds that prove difficult to solidly place a finger on, he dwells in a dusty sonic landscape somewhere between Two Gallants and M. Ward. However, Graves has never needed the aid of a Zooey Deschanel to lure out or take the blame for his pop sensibility. Continue reading
The May 26 show at WOW Hall is a bit of a rare bird as far as Eugene goes: The lineup features two badass acts, both women. Over the phone, I mention to singer-songwriter Jenny Lewis how unusual this is, to have a show here with nary a beard gracing the stage. “I’ve always tried to be fair with picking openers,” Lewis says. “It’s just cool to have all females on the bill.” Continue reading