The King’s Fool

Mac DeMarco

Mac DeMarco

With his always-vacant bug eyes, gap-toothed perma-grin and just-rolled-out-of-bed demeanor, Canadian musician Mac DeMarco is indie rock’s greatest goofus.  But underneath it all, there’s a sly knowingness. You’re not sure how it happened, but while you weren’t looking this simpleton pulled a prank on you — tweaked your nose, tussled your hair and left you standing mystified but thoroughly amused. Continue reading 

Telling Better Stories

Michal Menert

Michal Menert

Colorado producer, DJ and electronic musician Michal Menert is called “the Godfather of Electro-Soul.”  “It’s a title the fans have given me,” Menert tells EW via email. He says his work with trendsetting artist Pretty Lights put him at the forefront of the white-hot EDM (electronic dance music) scene.  “It’s a flattering name that got placed on me, and I wear it with a smile,” Menert says. “I never refer to myself as that, but will gladly take it.” Continue reading 

Straight-up Party

Clarity

Clarity

Straight-edge bands get a bad rap. Often unfairly branded as a general crankiness toward all things fun, the straight-edge, or “sXe,” movement is largely anti bar, house party or any other place where drugs or alcohol might rear their ugly heads. It isn’t a scene particularly synonymous with “ragers.”  Continue reading 

Famous Last Words

Local rapper Sam Wartenbee reflects on his label’s 10th anniversary with a new book and album

Sammy Warm Hands

“People won’t commit to your music if you don’t commit to it first,” says Sam Wartenbee, Eugene rapper and Crushkill Recordings artist. If you’ve paid attention to local music for any length of time, chances are you recognize Wartenbee (aka Sammy Warm Hands), whether from hardcore punk band This Day’s End or local hip-hop act The ILLusionists.  Ten years ago, Wartenbee started his own recording studio and record label, Take 92 Music.  Continue reading 

Sound Garden

Marie Davidson

Marie Davidson

With a gender twist on the Adam and Eve story, Montreal’s experimental techno musician Marie Davidson offers us the apple of temptation.  This time, the apple is minimalist electronic beats and soundscapes that evoke danger, sexuality and darkness. And, frequently, her sound has an undeniably killer groove — like on the track “Excès de Vitesse” from Davidson’s upcoming release Un Autre Voyage (out April 15 on Holodeck Records). Continue reading