Eugene Weekly

In the early ’90s, drag star RuPaul was dazzling the club scenes in Atlanta and New York City and Jennie Livingston released her award-winning documentary Paris Is Burning, which captured the culture of New York drag balls.  In Eugene, the first Damsels, Divas & Dames drag show was performed at the Hult in 1992. In 2000, Imperial Sovereign Court of the Emerald Empire — one of Eugene’s oldest LGBTQ organizations — revived the show and it has continued to be an annual event benefitting HIV Alliance.  Continue reading →

At first listen, Portland’s Ages and Ages seem to provide the perfect indie-pop soundtrack to a lazy afternoon spent in careless sun-soaked abandon. But, an underlying darkness looms. Much like the joyous gloom-tinged rock of Denmark’s Alcoholic Faith Mission, frontman Tim Perry and company craft songs that are harmonious, lush and joyous while heavily colored with angst, strife and the difficulty of remaining a decent human being. This is particularly so on their 2014 sophomore release, Divisionary.  Continue reading →

Would you like a gin and tonic with that guitar riff? How about a rum and Coke with that rhyme? “In Eugene, you’ll see a bartender onstage everywhere you go. We all play music,” says Casey Lynch, Level Up Arcade manager and bartender. Lynch is a prime example. Known to most as KI Design (emcee and ringleader of local hip-hop crew, The Architex), he has played countless shows, including a weekly residency — “Private Stock” at Luckey’s Club — going on four years now.  Continue reading →

Pop quiz: What do Joseph Campbell, Blade Runner and Trent Reznor have in common?  Answer: The L.A. synth-pop quartet LEX.  “A lot of our inspiration comes from movies such as Blade Runner, The Neverending Story and Labyrinth,” bandmember Leah Chrisholm tells EW via email. Chrisholm grew up in Eugene. LEX is touring in support of their debut self-titled release produced by Peter Franco, who also worked on the last two Daft Punk records. The band describes its sound as “fantasy synth.” Continue reading →

Geographer exists somewhere between the emotive synth pop arias of Depeche Mode and the earnest coffeehouse-meets-arena-rock of fellow Bay Area acts Train and Counting Crows.  With echoes of The Killers, Geographer’s latest release, Ghost Modern (out now on Roll Call Records) tries to sound big — U2 big, the kind of watershed record that burns up the charts while soundtracking a generation. Continue reading →

No one has a voice quite like Iris DeMent — an aching, soulful twang reminiscent of a bygone era. “She’s the best singer I’ve ever heard,” Merle Haggard has said of the Grammy-nominated singer-songwriter. DeMent has done timeless duets with John Prine and Emmylou Harris, and her songs have graced both the silver and small screens (2010’s True Grit and Northern Exposure). Via email, EW caught up with DeMent, who plays March 29 at Cozmic, to chat about music collaborations,  her music roots and her latest project. Continue reading →