Bring in the Noise

Noise-A-Tron

Noise-A-Tron. Photo by Invisible Hour

Seattle duo Noise-A-Tron possesses a keen understanding of the space needed for music to breathe. The band, consisting of Lea and Jason Bledsoe, creates a huge sound without falling prey to two-piece rock stereotypes. Where others fill empty space with crushing volume, Noise-A-Tron takes pause. The Bledsoes’ drone-heavy rock is devoid of vocals, relying instead on sparse samples and keyboards that add texture to their fuzzed-out, eight-string bass-and-drums format.  Continue reading 

Remember the Good Stuff

Relentless boogie blues, classic rock, punk irreverence and Spencer’s FM DJ and gospel preachin’

Photo by Micha Warren

Like a 4th of July fruit salad made from syrupy pineapple, maraschino cherries and hand grenades, Jon Spencer Blues Explosion roars back with Freedom Tower — No Wave Dance Party 2015, out now on Mom + Pop Records.  “I really enjoy playing,” Spencer tells EW about his band’s return. “It feels great. It feels so good.”  Like past Blues Explosion records, Freedom Tower is relentless boogie blues, classic rock, punk irreverence and Spencer’s FM DJ and gospel preachin’.  Continue reading 

Back in Action

Dev

Dev

Dev first burst onto the scene with 2010’s “Bass Down Low,” followed by club favorite “In The Dark.” Both met with moderate success. It wasn’t until Far East Movement’s “Like A G6” turned a verse from her single “Booty Bounce” into its infamous chorus that Dev really started to get some attention. Her 2012 debut The Night The Sun Came Up received a huge push from Universal Republic, who released singles or videos for 10 of the 12 tracks on the album, as well as a non-album single “Naked” featuring Enrique Iglesias. It seemed as if Dev was about to blow up.  Continue reading 

Springy Sounds

From the Eugene Vocal Arts Ensemble to Nellie McKay, the city is full of voices this May

Nellie McKay

Thanks to what’s called the Little Ice Age, Europe could be a chilly place during the 16th through 18th centuries, all the more reason to seek solace in warm music and celebrate spring’s advent. At 7:30 pm Saturday, May 9, at Central Lutheran Church (1857 Potter St.), the Eugene vocal ensemble Vox Resonat sings springy tunes about dancing and loving composed by Thomas Weelkes, Jacques Arcadelt, Nicolas Gombert and other Renaissance masters. Continue reading 

Acoustic Electronica

Dan Deacon

Dan Deacon

Baltimore electronic composer Dan Deacon is shaping up to be far more than the avant-garde party-guy flavor of the week he seemed destined to be when he smashed onto college-radio charts with 2007’s Spiderman of the Rings. Fast-forward five years to the critically acclaimed and orchestrally driven America, and Deacon seemed poised to become some kind of indie-electronica Philip Glass. Enter 2015’s Gliss Riffer. Continue reading 

Punk’s Light and Dark

The Ghost Ease The

The Ghost Ease The

Pacific Northwest post-punk trio The Ghost Ease rides a fine line between raw, quiet-loud-quiet indie rock and brooding darkwave.  “I find dark-edged music to be emotionally charged, alive and very real to the human experience,” says Jem Marie, vocalist, guitarist and bandleader.  Marie’s voice is gentle, and her sound hints of the Deal sisters’ crisp and brittle guitar work and percussion that is equal parts restrained and electric. Continue reading 

Sapient Being

The biggest rapper you’ve never heard of

Sapient

Sapient might just be the biggest rapper you’ve never heard of, which is a sad fact considering the Portland-based artist grew up here in Eugene. As one half of hip-hop duo Debaser, as well as a member of Sandpeople, he’s rubbed elbows with members of Hieroglyphics, Living Legends and Grayskul.  Sapient has also produced infectious beats for Inspectah Deck (of Wu Tang Clan), Slug (of Atmosphere) and Aesop Rock, adding to the pile of reasons to know his work. The emcee-producer is poised and waiting patiently for his moment in the sun. Continue reading