Eugene Weekly

Jeff Tweedy was an integral member of Uncle Tupelo and is now the frontman of Wilco — putting him at the forefront of two of the most acclaimed American rock bands of the past 25 years.  In 2012, Tweedy produced the Mavis Staples record One True Vine. Tweedy asked his teenaged son Spencer to play drums in the studio, and from these recordings came the father-son project Tweedy.  Continue reading →

The visiting hip-hop scene has thrived this past year in Eugene, with rap revolutionaries — ranging from Sir Mix-A-Lot to J. Cole — stopping by on tour nearly every weekend. Continue reading →

Adia Victoria has only released two songs, but the Nashville-based singer is already on the rise as a Southern Gothic queen. Rolling Stone recently named her as one of “10 New Artists You Need To Know,” and Roger Moutenot (Yo La Tengo, Sleater-Kinney) is producing her debut with bandmates Ruby Rogers, Tiffany Minton and Mason Hickman.  Although often categorized as country, Victoria is actually a Southern cynic. On her Facebook page, she describes her music genre as “back-porch-blues-swamp-cat-lady-howlin’-at-the-moon.” Continue reading →

Caroline Bauer releases her first full-length studio album, To Kneel and Kiss the Ground, Sunday, March 15, at her album release show at Sam Bond’s. Joining Bauer are Portland musicians Jeffrey Martin (who the Portland Mercury just declared “might be the best songwriter in Portland”) and Anna Tivel (formerly of Anna and the Underbelly), who also played violin on the album. EW caught up with Bauer this week for coffee and discussed raising money for the album, collaboration and her musical roots.   Continue reading →

New York rapper Michael Quattlebaum Jr., aka Mykki Blanco, is as much a performance artist as a musician.  A published poet and art school dropout, Quattlebaum’s alter ego Blanco is inspired by teenage girls and drag queens — mixing the right-now youth culture of Rihanna, the decadent gutter of the New York art world, queercore and Riot Grrrl icon Kathleen Hanna.  Continue reading →

“You’re all a bunch of phonies” has long been one of punk rock’s favorite accusations. Providing a fresh and funny take on that old gripe are the firebrands from London, Ontario — Single Mothers.  While first-gen punkers railed against flower power, Single Mothers take aim at the hipster, DIY and Etsy-crafter crowd, as well as any scene’s inevitable decline into self-parody.  Continue reading →