Eugene Weekly

Seattle in the ’90s was the kingdom of super fuzz and big muff, as greasy-haired white boys in skinny jeans crunched out Neanderthalic riffs like The Kinks on horse ludes. It was a glorious time, full of sound and fury, signifying Sub Pop Records. Iggy was god. Everyone was touching each other and getting sick. And through all that nevermind noise, this beardy old dude with a froggy voice and clangy guitar continued to ply his strange old-timey stylings, laying down this wonky-doodle groove that was like a surreal vaudeville patter horned through the swordfish trombone. Continue reading →

Much has changed since we last caught up with Portland darling Sallie Ford a year ago. Most notably, she’s no longer with The Sound Outside, her all-dude backing band (they broke up amicably). Ford simplified her band moniker to just Sallie Ford and pulled in a team of PNW musicians — Cristina Cano on drums, Anita Lee Elliott on bass and Amanda Spring on drums. Continue reading →

’Tis the season and all, but before we get to the holiday shows, let’s note the secular sounds. The Dec. Continue reading →

The Ryan Hemsworth show at WOW Hall has been canceled. Canadian electronica producer Ryan Hemsworth describes his most recent single, “Snow in Newark,” as something he made to “get back to my first love, emo music.” This may come as a shocking change of pace to those accustomed to hearing Hemsworth either throw down thick, hawkish hip-hop remixes or candy-coated, J-poppy originals.  Continue reading →

“We have some great friends from Eugene,” says Sam Owens of Brooklyn-based indie-rock trio Celestial Shore. “All of them are wonderful people and talented musicians. There must be something in the water.” Last spring Celestial Shore opened for indie-rock critical darlings Deerhoof. Now Celestial Shore are coming to Eugene in support of 2014’s Enter Ghost, a collection of guitar-centric indie rock blending the sweet, British-invasion flower power of The Zombies with the taut aggressiveness of ’90s bands like The Pixies.  Continue reading →

Metallica, Slayer, Iron Maiden, Motorhead. Amidst the club of hardcore metal band names, Asking Alexandria doesn’t seem to fit.  Continue reading →

Award-winning British human machine, or rather the musician and beatboxer known as THePETEBOX, is touring the U.S. for the first time, producing sounds and rhythms using only his mouth, lips, tongue and voice.  “It’s important for people to understand the process,” PETEBOX tells EW. YouTube is full of clips from the musician, but PETEBOX feels beatboxing is best experienced live. “There’s some detachment from the process on record,” he says. Continue reading →