We've got issues.
I admit it, I didn't watch the new Mat Kearney video until today. I got the press relases, I saw the R-G did a story, I saw friends posting it on Facebook. But the moment I see something is paired up with Duck football, I lose a little interested (that's blasphemy if you live in Eugene, isn't it?). Continue reading
Mark your calendars twice, because sister pubs Sam Bond’s and Axe and Fiddle have booked two rising Americana powerhouses this week — Zoe Muth & The Lost High Rollers and Nora Jane Struthers & The Party Line, respectively. The two have much in common: guitar-strumming, soulfully voiced and glossy-blond-locked women front both bands, both are touring with recent albums and both leads have been shaped by the music their pops played growing up. Continue reading
I dare you to not bang your head to the opening strains (after the moaning stops) of White Zombie’s 1995 hit “More Human Than Human.” And yet, despite the fact that Rob Zombie crafts killer songs, at some point we’ll have to stop referring to him as a musician. In 2014, his acting, directing and filmmaking credits eclipse his musical offerings. Continue reading
If Eminem is the Elvis of hip hop — taking sounds of urban America and repacking them for the suburbs — Sean Daley (aka Slug) of Minneapolis indie-rap legend Atmosphere is Eminem in reverse: taking the subjects of suburban life and repacking them for the inner city. Continue reading
The sixth annual Next Big Thing contest proved once again that small-town Eugene is home to an incredibly talented and prolific music scene — so prolific that the competition has been divided into three categories for the first time: single/duo, band/group and youth (18 and under). Continue reading
There’s a luring, mid-20th-century California cool to Natalie Gordon’s voice that sounds like it should be tumbling out of a poolside record player — part-Rosemary Clooney and part-Nancy Sinatra with the contemporary lilt of Shirley Manson and Amanda Palmer. Continue reading
Bellingham’s Polecat plays up-tempo, largely instrumental Americana-roots-bluegrass-folk-reggae — forget it, let’s just say Polecat plays dance music and they play it well. “We are trying to move away from any sort of real specific designation for our sound,” vocalist and guitarist Jeremy Elliott tells EW. Continue reading
Clean-shaven with slicked-back hair and sporting a perfecto leather jacket, rising hip-hop star G-Eazy could easily be mistaken for a cologne model. With his retro greaser look, G-Eazy (né Gerald Earl Gillum) has cultivated a unique style for his chosen genre, earning him the title of “the James Dean of hip hop.” Caught between flattered and exasperated by this categorization, G-Eazy is trying to stake his own ground. Continue reading
“We love playing house concerts because it’s always a listening audience,” says Jeff Poynter, vocalist and accordion player for Victoria, B.C.-based indie-folk outfit West My Friend. “We’re not really a bar band, and so we like audiences that show up to hear music. It’s great as well because you can really connect with the audience — talk to them throughout the show, hang out with them afterwards and learn a little about them.” Continue reading
With its Harvest Records 2014 debut Badillac, popular SoCal pop-punk act together PANGEA take a huge sonic leap forward, beyond simple-minded garage-punk into more depth and sincerity. “It might be confusing for people, assuming we’re like this garage-punk band and then hearing this record,” says together PANGEA singer-songwriter and guitarist William Keegan on the band’s website. “But we really don’t want to get trapped at all.” Continue reading