Other Times, Other Places
From Bacharach to Frankenmass, a week of the oldies but goodies

Is another run through of Burt Bacharach’s music really what the world needs now? Continue reading
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Is another run through of Burt Bacharach’s music really what the world needs now? Continue reading
Ani DiFranco doesn’t mince words: Her current tour is called Vote Dammit! The objective is to ignite the political fires of an audience through music and community building. “It’s about participation,” DiFranco tells EW. “If we sit out on election day, bad things will happen, but if everyone who could vote would vote we’d have a better country.” Continue reading
How to Be a Sissy, a new solo work by actor-writer Brian Haimbach, opens with the memory of a little boy wearing a towel on his head and imagining that he has long, glorious hair. “I always played with dolls, as early as I can remember,” says Haimbach, who directs the theatre program at Lane Community College. “I don’t remember when I started putting the towel on my head — maybe about third grade.” As a boy, Haimbach’s mother made him keep his hair closely cropped. Continue reading
As the tilted Earth spins and progresses through her orbit, late February brings light and warmth flooding back to us. But spring is not the only fresh thing bubbling up from all points the south. The Oregon Shakespeare Festival in Ashland soon greets the lengthening days, buzzing with new stories that are beautifully staged. Under the artistic direction of Bill Rauch, the internationally renowned festival’s 81st season boasts first-run plays, elegant classics and a commitment to bringing a broader world perspective to the stage. Continue reading
Local jazz songbird Halie Loren joins Torrey Newhart on piano, Mark Schneider on bass and Brian West on drum for “I’ll Be Seeing You: Reflecting the women of jazz,” an event featuring songs by Ella Fitzgerald, Peggy Lee, Billie Holiday, Nina Simone and Joni Mitchell 7:30 to 10 pm Thursday, Feb. 25, at The Jazz Station downtown. Continue reading
The earworm train is coming to Eugene: “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man,” “Can’t Take My Eyes Off of You”— the list goes on. Song after song, hook after hook, all from Frankie Valli and the Four Seasons from their glory days in the ’60s and ’70s. Yep, Jersey Boys, the Broadway smash hit, makes its way to the Hult Center March 1-6 with a fairytale about four friends from Newark and their meteoric rise to fame. Continue reading
Democratic Party of Lane County Chair Chris Wig (who is also running for City Council) has informed EW that on Thursday evening, Feb. 18, the DPLC voted to pass two resolutions: 1) The city should support a downtown visual arts center 2)Kesey Square should remain public, but improved Read the full resolution language at the bottome of this blog post. Continue reading
The long-awaited Deadpool movie is a lot of excellent things: Lively! Violent! Cleverish! Ribald! (If you don’t enjoy the occasional — OK, frequent — dick joke, this is probably not the movie for you.) As the title character, Ryan Reynolds is in his element, and he embraces the challenge of being a likable, violent smartass whose face we often can’t even see (it’s a physical role on more than one level). Continue reading
The old adage that “laughter is the best medicine” has been put to the test by a pair of Eugene filmmakers. Produced and directed by James Blame and Ryan Shoop of Magbas Entertainment, Coping with Comedy is a 30-minute documentary that takes a look at the way local comedians use stand-up as a way of dealing with the trauma of various mental health issues. Continue reading
Metric always seemed a bit timeless to me, which might explain why it freaks me out that the Canadian band has been together for nearly two decades. How have they managed to continue headlining theaters like the McDonald even as fellow Canadian contemporaries like Broken Social Scene and Stars faded from view? Continue reading