We've got issues.
Gentrification: a word spoken in hushed and frightened tones, as though it’s the black plague, a zombie virus or artisanal ice cubes. Five years ago, Berlin-based interdisciplinary artist Danielle de Picciotto decided to do something about Berlin’s gentrification, skyrocketing rents and creeping homogeneity. Continue reading
Eugene’s The Sawyer Family has been crafting blistering tales of death, murder and suffering since 2001. The psychobilly-cum-swampy-stoner-metal act has seen lineup changes, growing pains and years of touring since its early rockabilly days, elevating themselves into a genre-defying monster. As tends to happen at home, though, this act often goes unnoticed. Continue reading
Since Matt Bishop and a group of University of Washington friends started up Hey Marseilles back in 2006, the six-piece chamber-pop band has released two full-length records, secured accolades from NPR and Seattle Weekly and played hundreds of shows all over the country. All of which has given Bishop plenty of time to think about, well, being in a band. Continue reading
The Eugene Symphony has long-enjoyed a reputation as Oregon’s most forward-looking orchestra. Particularly after visionary music director Marin Alsop ascended the podium in 1989, the Eugene Symphony Orchestra’s programming of contemporary and especially American music put it — and Alsop — on the national map. While the usual 19th-century classics have always dominated the repertoire, Alsop’s successors Miguel Harth-Bedoya and Giancarlo Guerrero continued to feature more 20th- and 21st-century music than typical American orchestras. Continue reading
A curious girl can raise only so much hell for a totalitarian regime: When Ximena makes too much noise, the state takes away her voice. Literally. Set in a faceless authoritarian state, Degenerate Arts Ensemble’s Predator Songstress — produced in conjunction with the new Oregon Performance Lab — sets out to examine repression, surveillance, interrogation and the power of noise. The play runs Friday and Saturday, Aug. 28 and 29, at Lane Community College’s Ragozzino Hall. Continue reading
Oh, to see what James Gillray might do with Republican presidential candidate Donald Trump would be delicious. Considering the British illustrator’s searing and scatological observations of blowhards, we’d expect some orange, bloated mass punctuated with what the internet has succinctly deemed “butthole lips.” But alas, Gillray, considered the father of the political cartoon, passed in 1815. Continue reading
When your band is named He Whose Ox is Gored, people are going to have preconceived notions about what you sound like. “We started having that post-hardcore influence, a little bit of doom,” guitarist Brian McLelland tells EW. The up-and-coming Seattle quartet is touring in support of its latest release The Camel, The Lion, The Child, out now on Bleeding Light Records. But McLelland says it would be wrong, despite HWOIG’s epically dark name, to pigeonhole them as a metal band. Continue reading
Student debt? Nah. Rising cost of tuition? Nope. Who can think about that when you’ve got yellow O’s in your eyes? Now, you can put your student loan dollars toward Dooney & Bourke’s (ironically named) $218 NCAA Oregon Hobo bag or the $128 NCAA Oregon Continental Clutch. In fact, when those student loan bills come due, you can store them chicly in the $248 NCAA Oregon Zip Zip Satchel. Continue reading
There was a time, not all that long ago, when writers could become cultural icons in this society — endangered emissaries who, like canaries in a coal mine, sniff out the poison seeping from the rank spigots of our popular culture. The late, great David Foster Wallace was such an author. Wallace’s prose, a kind of rococo thicket that belied deep veins of compassion and understanding, acted as a funhouse mirror reflecting back our malaise in a discursive, catch-all style that was frustrating, assaultive, revelatory and liberating, often all at once. Continue reading
Los Angeles hard-rock act Stitched Up Heart has a unique approach to self-promotion: They make music and share it live. With a handful of festivals and a few hundred shows under their belts since their 2010 inception, the band members shirk online promotion and big-hype tours in lieu of a simple work ethic and nose-to-grindstone approach. Continue reading