The White Buffalo live at Cozmic [11.15.14]
The White Buffalo live at Cozmic, with local support Will Brown and Cold Feet. Continue reading
Arts: Page 304
Catching up with Kevin Hart at the Mall
Words by Bryan Kalbrosky • Photos by Todd Cooper It was a spectacle of epic proportions at the Valley River Center and Matthew Knight Arena on Saturday, Nov. 15, and the center of attention was comedian and actor Kevin Hart. Continue reading
Sol Seed live at Cozmic [11.17.14]
After being on the road for 6 weeks. Best Band of Eugene winner's Sol Seed had Cozmic packed. Guest appearances by Satsang and Connah Jay, paired with the live painting of Darwins Theory made for a colorful night. Continue reading
Save the last dance for Emery Blackwell
Emery Blackwell, 55, dancer, choreographer, musician, composer and teacher, retires from 25 years with DanceAbility International this fall. A giant figure in the local dance scene and a representative of disability rights around the globe, Blackwell will perform onstage one last time with his longtime dance partner Alito Alessi, as part of Vanessa Martin’s Xcape Dance Company’s premiere piece, Love! Continue reading
Love! Is All You Need
Lots of little kids take a dance class or two, but most won’t make a career of it. Sometimes, however, a special child comes along who has the talent and drive, along with the family support needed, to keep investing in dance for a lifetime. Choreographer Vanessa Martin was one of those lucky kids, who had big aspirations and a parent to back her up. Continue reading
Clipped Wings
Alejandro González Iñárritu hasn’t directed a feature film since 2010’s Biutiful, an agonizing, overworked downer made bearable by Javier Bardem’s mournful performance. Continue reading
Nuclear Fusion
The music oozed by Radiation City is so warm and romantic that it’s a bit tedious to see the Portland band categorized time and again as indie rock, a genre that at times feels like it’s been hijacked by aloof, sullen drones. “When I see that, it’s kinda — it’s a little bit baffling,” says Cameron Spies, guitarist and a vocalist for the band. “For one, indie rock is such a broad, general-ass word. The roots of our music are more in older styles of music, vintage styles if you will.” He adds, “The fact that we got lumped in there is more of an aesthetic.” Continue reading
The Milkmen Deliver, Again
“Everyone loved The Milkmen in the early ’80s — the blues-ers, the punkers” says Dan Schmid, bass player for legendary Eugene band the Cherry Poppin’ Daddies. On Nov. 15, The Milkmen are reuniting for a one-night-only performance at Mac’s Restaurant at the Vet’s Club in Eugene. “It’d be nostalgic for sure,” Schmid continues. “[The Milkmen] were great. They rocked!” Continue reading
Dub Studies
What better way to celebrate the passing of Measure 91 than warmly welcoming the chart-topping roots-reggae band Fortunate Youth, whose sponsors include RAW Rolling Papers and Cannabliss Clothing and whose merch includes T-shirts emblazoned with “Love is the Most High.” The six-dude Hermosa Beach-based outfit recently released their fourth album, Fortunate Youth Dub Collections, Vol. 1, an album featuring electronic remixes of songs off previous albums (and, of course, weed references). Continue reading
Where the Buffalo Roams
Jake Smith, the singer-songwriter and mastermind behind L.A.-based trio The White Buffalo, sings in a rich, oatmeal baritone. And White Buffalo’s 2014 release, Shadows, Greys & Evil Ways — a loose concept record based around the characters Joe and Jolene — is a fitting backdrop for Smith, who looks like a Viking from Texas. Continue reading