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Excerpt from phone interview with King Buzzo of the Melvins: Me: Hello, may I speak with Buzz Osborne, please? Buzz: That’s me. Me: Hey, this is Rick Levin from the Eugene Weekly. Buzz: Never heard of it. And that, folks, is punk rock in a nutshell. Continue reading
Claire, Jason, Warren and Deb are just four ordinary New Yorkers, but their lives intersect in the most extraordinary ways as they search with classic longing for love and fulfillment in a very modern setting. Ordinary Days is a contemporary musical by up-and-coming American composer Adam Gwon. According to Charles Isherwood of The New York Times, “Mr. Gwon writes crisp, fluid and often funny lyrics that reflect the racing minds of the four New Yorkers on a nervous search for their immediate futures.” Continue reading
Brent Weinbach is goofy, strange and smart — the perfect combo for a comedian coming to Eugene. He’s your Renaissance everyman: A former professional jazz pianist, Weinbach writes and co-directs the web series Pound House, hosts a podcast on video game music that predates the millennium, and has appeared on reigning comedy platforms like Conan, Comedy Central, HBO and IFC as well as touring with the Comedians of Comedy. Continue reading
The illegitimate, biracial daughter of a British navy admiral, Dido Elizabeth Belle, was born into complicated circumstances. In Belle, director Amma Asante and screenwriter Misan Sagay take some liberties with what’s known about the real Belle, but strict accuracy isn’t the point of Asante’s lush, Jane Austenesque film, which belongs fully to Belle (Gugu Mbatha-Raw). Continue reading
Portland’s Water Tower has come a long way since stomping the Americana revival boards late last decade. With an all new lineup — excepting frontman Kenny Feinstein, who’s been along from the start and recently signed with Fluff & Gravy Records — the band leaves the old-time ever so slightly to bring a fresher rock ‘n’ roll sound. Continue reading
Three years have passed since Eugene’s perennial favorite rock-grass outfit, Alder Street (formerly Alder Street All-Stars), released its last album. With the debut this month of Americannibal, rest assured, it was worth the wait. “In three years you have time to get your shit together and write songs that are solid,” says Ian Royer, guitarist and a songwriter for the band. “We’re happy with every single song.” Continue reading
Last year’s film Inside Llewyn Davis helped revive memories of one of the great voices of American folk music. The fictionalized Cohen Brothers movie was based on the memoir of New York singer Dave Van Ronk, who mentored a whole generation of young folkies. Continue reading
Once upon a time, record label Alive Naturalsound released the debut from a little band called The Black Keys. Now, that same label has released More Primitive from Seattle-based boogie-blues trio Lonesome Shack. Considering the Keys’ meteoric success, does Lonesome Shack’s Ben Todd (vocals/guitar) feel any pressure to live up to expectations? “I don’t feel any pressure but I do hope it does well,” Todd tells EW via email, “and I’m happy to be working with Alive. It seems like the most fitting label around for us.” Continue reading
Behind every great man is a great team. Hip-hop artist CyHi the Prynce is part of Kanye West’s GOOD Music crew; in fact, CyHi garners writing credits on nine out of 10 tracks on Yeezus. In February, he released his sixth mixtape via GOOD Music, Black Hystori Project, an 18-track meditation on civil rights and iconic figures including Nelson Mandela, Napoleon, Coretta Scott King and Jean-Michel Basquiat. The mixtape is drawing comparisons to The Miseducation of Lauryn Hill for its social message. Continue reading