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It takes a special character to receive surprise fellatio onstage mid-performance (we’re not making this up) and then keep performing. But I guess that’s what happens when the majority of your lyrics focus on drugs, sex and the rockstar life (listen to the track “Die Like a Rockstar”). It’s the nature of the provocative rap beast. Continue reading
Laura Cortese jumps genres like freight trains. The young fiddler has appeared alongside rockers like Band of Horses, Patterson Hood and Michael Franti, while her solo work is drenched in Americana and classical sensibilities. “I think I knew pop music first,” Cortese says, explaining that her mom’s vinyl record collection influenced her at a young age with the likes of Otis Redding, Motown, CSNY and Elvis. Continue reading
The somewhat elusive Springfield Ditch Projects gallery opened its latest exhibit May 18, and it runs through June 15. Ron Graff and Donald Morgan: New Work features the abstract expressionist paintings of Graff, a UO associate professor of painting, and 2-D and 3-D works of Morgan, a UO assistant art professor. Morgan’s graphic sculptures have had a playful (and sometimes dark) bent in the past, including a topographic wall hanging of Crater Lake’s Wizard Island, a pair of mirrored spider webs and a noose rack. For more information visit ditchprojects.com. Continue reading
After a week of trying to set up an interview with Les Claypool, the time and day was upon me. I was slightly nervous, but getting more so as each minute went by and the phone didn’t ring. Les Claypool stood me up. But, I consoled myself, perhaps it’s a good thing … you know, preserve the mystery in art, the “not knowingness” that’s magical when you buy a ticket and show up with no expectations. Then he called. Continue reading
Director Baz Luhrmann’s risky, gamboling Romeo + Juliet (1996) proved, once again, that Shakespeare’s best stuff can withstand any infringement of time and run with it — including gang warfare, palm trees and the wowzers of an acid trip. Recall, if you dare, the raw but playful sexuality of this scene: Claire Danes as Juliet, spying through a massive fish tank and catching her first aquamarine glimpse of Romeo, as the gaunt, slightly extra-terrestrial face of a young Leonardo DiCaprio seems to swim through the coral. It’s an exquisite moment. Continue reading
Listening to the music of Trevor Powers, more widely known as Youth Lagoon, is not so much a psychedelic experience as it is an exploration of Powers’ psyche. His sophomore release, 2013’s Wondrous Bughouse, is a mind-bending collection of rock and pop that blends a host of dissonant sounds together into a beautiful cacophony of noise that mirrors the storm going on inside Powers’ head. It is quite the trip. Continue reading
Once upon a time bands could wait a few albums before having a hit — U2, REM and Nirvana among others. This allowed artists to grow, change and most importantly experiment. These days, with the great contraction of the music business, bands-without-hits are signed and dropped faster than ever; many are never signed at all. Continue reading
Jason Cowsill was never pressured into music, despite his family’s storied musical history. A descendent of America’s family band, The Cowsills, he spent a lot of time bouncing around recording studios. But the moment he picked up his first guitar, there was no turning back. Continue reading
They are the champions. The UO Chamber Choir placed first in the Fleischmann International Trophy Competition at the prestigious Cork International Choral Festival in Ireland. Led by UO professor of music Sharon J. Paul, the choir beat out 29 other choirs from 17 countries with music ranging from “Italian madrigals to bluegrass-influenced gospel.” You can see these international stars in your own backyard 8 pm Wednesday, May 22, at Beall Concert Hall on campus; $5 students, $7 general. Continue reading
The house is packed, and squirming, at the Actors Cabaret of Eugene. Kids are spilling in and out of their seats as parents and grandparents sip cocktails and coffee. Everyone is joyous and easy as the bright lights and brighter costumes of Seussical flood the stage in a musical tribute to the 20th century’s greatest children’s author. Continue reading