“Great Gatsby” at Eugene Ballet Company, April 10, 2016
Eugene audiences were treated to two world premieres yesterday, as the Eugene Ballet Company presented Suzanne Haag’s Look and Toni Pimble’s The Great Gatsby. Continue reading
Performing Arts: Page 50
Shadow & Light at Beall Hall, April 8
The capacity crowd at Beall Hall Friday night was only satisfied after not one, but two standing ovations for Joan Szymko’s new work “Shadow & Light”, performed beautifully by the Eugene Vocal Arts Ensemble, the Eugene Concert Orchestra and soloists Marietta Simpson, Sarah Joanne Davis and Brendan Tuohy, under the direction of artistic director and conductor Diane Retallack. Continue reading
Kidd Pivot/Electric Company Theatre
Betroffenheit, the collaboration between Kidd Pivot/Electric Company Theatre, presented by Whitebird Dance at the Newmark Theatre in Portland Saturday night, pushed at odd angles through territory that at times felt dank, or prickly, hot and then cold. The audience was at times arrested, cajoled, invigorated and perhaps browbeaten. This was not namby-pamby dance for its own sake, nor was it theater alone, but a hybridization that, though not consistently successful, whatever that means, was at least doing something new. Continue reading
Memory and Loss
World premieres of Shadow & Light and Blackberry Winter give voice to Alzheimer’s and dementia
“It’s been some time that I’ve been wanting to have music that gives voice to those who’ve gone through Alzheimer’s disease and dementia,” says Eugene Concert Choir artistic director and conductor Diane Retallack, who has poured her energies into making the world premier of composer Joan Szymko’Shadow & Light a reality. Continue reading
Xcape Dance Company presents The Freak Show!
Xcape Dance Company presents The Freak Show! with a red carpet and pre-show at 7:30 pm and show at 8:30 pm Friday, April 1, at the Hi Fi Music Hall, featuring “Non Stop hip hop, street jazz, tap, music, side shows, tricks, treats, circus acts and show stoppers,” says the group’s artistic director Vanessa Fuller. Tickets xcapedance.com; $10-$13. Continue reading
Apples to Apples
ACE’s offbeat musical comedy Falling for Eve looks at the pitfalls of relationships in the Garden of Eden
Ah, Paradise: What an orchard of happiness. Endless green, endless time and endless innocence, unsullied by death and the knowledge of it. What’s not to like? But God, in his infinite wisdom, looked upon Eden’s immaculate expanse and thought unto himself: Needs something. Needs a beholder to appreciate my handiwork and artistry, my Godness. Needs people. And so there were people, and everything went to hell. Continue reading
Paint it Blue
Blue Man Group plays with music, paint and light at the Hult Center
Blue Man Adam Erdossy has spent much of the last 10 years being … blue. “It’s a special shade called ‘Blue Man blue’” Erdossy says. “It gets pretty much everywhere, which is actually pretty fun.” Continue reading
Stages of Grief
VLT's excellent production of The Quality of Life makes meaning of senseless death
Two couples, one reeling from the horrific murder of their only daughter, the other coping with a terminal illness that is reaching its late stage, come together and confront their demons: This is the thumbiest of thumbnail sketches of The Quality of Life, a play by Jane Anderson that explores the specter of death, the lash of loss, the cycles of grief and how people make meaning amid chaos and crisis — in short, it’s about life itself. Continue reading
Kyle Abraham/Abraham.In.Motion at WhiteBird Dance
Kyle Abraham/Abraham.In.Motion shared an exquisite evening at the Newmark Theatre in Portland Saturday night, as part of Whitebird’s Uncaged series. Continue reading
Mad-Hot MEDGE
The Middle Eastern Dance Guild of Eugene celebrates 25 years with a show at the Wildish
“Twenty-five years seems like a significant milestone,” Denise Gilbertson says. That’s perhaps the understatement of the new year for the silver anniversary of the Middle Eastern Dance Guild of Eugene (MEDGE), of which Gilberston is a member. For any nonprofit arts group to reach the decade milepost, let alone the quarter-century mark, is cause for celebration. Continue reading