The Eugene Ballet Company (EBC) has received a $200,000 grant from the Richard P. Haugland Foundation

Lane Community College student Tristan Giannini performs a repertory piece by Merce Cunningham.

Hear ye, hear ye: EW’s annual dance issue is slated for September and we want your dance listings including date, time, location, cost and genre. Please send dance listings to alex@eugeneweekly.com with “Dance Listings” in the email subject line by Aug. 15. The Eugene Ballet Company (EBC) has received a $200,000 grant from the Richard P. Haugland Foundation, as well as $40,000 from the Hult Endowment, to create a new work: Move over Elsa, here comes The Snow Queen — premiering April 2017.  Continue reading 

Freedom Versus Bondage

VLT presents the not-so-oddball You Can’t Take It with You

Central to the comic tension of You Can’t Take It With You is a fairly routine dichotomy that, perhaps by its very nature, remains forever unresolved, and which best might be summed up thus: freedom versus bondage. Of course, freedom and bondage have been at war since before Socrates whispered in Plato’s ear and Jesus put a shellacking on the Pharisees, but in this country we like to imagine capitalism invented the eternal conflict between vile materialism and spiritual liberation — in other words, Wall Street versus Main Street. Continue reading 

Breaking Vows Beneath the Stars

Free Shakespeare in the Park brings Love’s Labour’s Lost to Amazon Park

Lydia reynolds (left), Stephanie McCall and Isabella Lay in Love’s Labour’s Lost.

The passion of a young scholar knows no bounds. In the pursuit of knowledge, the King of Navarre and his best friends swear a sacred vow to renounce sleep, wine and even women for three years as they engage solely in educating themselves.  Then the witty Princess of France and her ladies in waiting arrive at the court of Navarre to negotiate a land dispute. Mayhem ensues. Continue reading 

Racism and Homophobia at Shakespeare Festival

We were deeply troubled today when we received the letter below detailing incidents of racism and homophobia towards our friends at the Oregon Shakespeare Festival in Ashland. As evidenced by this and the recent cancellation of the Festival of Eugene due to an incident of racism, it's becoming more and more apparent that these are not isloated incidents but evidence of an alarming national trend.  An Open Letter to Our Community Continue reading 

Consider a trip to Portland this year to see Whitebird Dance

Israel’s Inbal Pinto comes to Portland’s Whitebird Dance this season

First, an appeal: If you love dance like I do and long to see performances with national and international reach, please use this lull in local performance to consider a trip to Portland this year to see Whitebird Dance.  I’ve recently made the easy commute to see the pioneering Twyla Tharp (review at the EW blog: goo.gl/NqYsd7), Kidd Pivot, Cirque Alfonse (which blew my mind) and La Compagnie Hervé Koubi, whose seminal work, What the Day Owes the Night, left me speechless (read more on Koubi here: goo.gl/v2Wzpf) Continue reading 

Heed the Siren’s Call

In which a grumpy reviewer falls in love with The Little Mermaid at Actors Cabaret of Eugene

Jenny Parks and Anthony Krall in ACE's The Little Mermaid

I have two sisters, much younger than me, the offspring of my father’s second marriage. I love them both dearly, but when they were little girls and I was in my 20s, they drove me batshit crazy — especially with their fanatical devotion to all things Disney. Both of them possess gorgeous singing voices, always have, and traipsing around the house they would suddenly stop, raise their arms with operatic urgency and begin belting out some saccharine ballad from The Lion King or The Little Mermaid. If I hear about Ariel one more time, so help me … Continue reading 

Bach the House

Some highlights from the musical cornucopia that is the Oregon Bach Festival

Rachel Podger

This summer, Oregon Bach Festival’s theme could have been “Generations.” The fest features a father-and-son team — Jeffrey and Gabriel Kahane; leaders of two generations of historically informed Baroque violin — Monica Huggett and Rachel Podger; old and new music — from Baroque and early Romantic masters to contemporary composers; veteran visitors conductor Anton Armstrong, pianist Robert Levin and organist Paul Jacobs; as well as today’s rising stars — the terrific singer Nicholas Phan and Artistic Director Matthew Halls; and tomorrow’s musical leaders — Youth Choral Academy, Berwick Acade Continue reading