Liberté, Égalité, Sororité

French history is chillingly familiar in OCT’s The Revolutionists

Paris, September 1793: The Bastille has fallen, feudalism’s dead and the Rights of Man have been declared. (That all sounds pretty good, right?) But wait, there’s more: Enter brilliant playwright Lauren Gunderson, who illuminates a murky, muddling moment in history with her bold new play, directed with strength and humor for Oregon Contemporary Theatre by Elizabeth Helman.  Continue reading 

Fun Reigns

ACE’s production of Priscilla, Queen of the Desert isn’t a theatrical, it’s a spectacular

It makes me all fizzy and giddy to see men dress up like women. There’s something so joyously liberating about it all. And I don’t think I’m the only one who finds female impersonators a total hoot and super sexy. Gay, straight, bi, femme, butch, blah blah blah: Just about everyone I know gets chirpy at the sight of an aging queen squeezed into a sleek satin dress and bellowing “I Will Survive” like a diva in heat. Continue reading 

Live Long and Prosper

Celebrating 50 Years of Star Trek with Eugene’s Trek Theatre

Half a century ago this world, as well as worlds beyond our solar system, fell in love with the ’60s television series-turned-movie franchise known as Star Trek. Christina Allaback, creative director of Eugene’s Trek Theatre, says that along with the relationships among central characters like Kirk, Spock and McCoy, the show’s underlying message of hope helps Star Trek endure. “There are dystopic science fiction stories,” Allaback explains. “With Star Trek you have the opposite of that — the possibilities of where the human race can go.” Continue reading 

Works in Progress

Oregon Performance Lab returns with teens, motorcycles and beer

Beer playwright Nick Leavens with actress Laura Ramadei

Oregon Performance Lab is back for its second summer of theater workshops, bringing rising playwrights of America to Eugene. Described as a “three-week pop-up laboratory,” OPL connects artists with venues, actors and an audience for theatrical experimentation. The wife-and-husband team of Willow Norton (artistic director) and Corey Pearlstein (creative director) are based in New York but have roots in Eugene. On the heels of last year’s successful inaugural season, now they are fueling even more ambitious plans. Continue reading