Sympathy for the Devil

Cottage Theatre takes on Stephen Sondheim’s Assassins

The cast of Assassins takes aim at Cottage Theatre

Tossing aside its usual family fare, the Cottage Theatre reaches for something darker in its current production of Stephen Sondheim’s Assassins.  “Angry men don’t write the rules,” sings the infamous John Wilkes Booth, ably played by Kory Weimer, “and guns don’t right the wrongs.” Booth is just one of nine assassins who have their day in this 1990 musical, with music and lyrics by Stephen Sondheim and songbook by John Weidman.  Continue reading 

When the Hurly-Burly’s Done

Returning vets find a home in Eugene theater

After enlisting in the Navy at 19, actor Ben Buchanan, now 26, first trained in the stifling summer heat outside of Chicago. Later, crossing the equator, he experienced the traditional “shellback” ceremony, a 400-year-old naval ritual in which mere “pollywogs” are transformed into sturdy shellbacks. For Buchanan, this rite of passage included being shot at with fire hoses and crawling through garbage.  “It was pretty fun,” he says.  Continue reading 

VLT’s New Act

Theater board hits the mark

Mollie Clevidence, Jay Hash and Darlene Rhoden

The Very Little Theatre is among the oldest community theaters in the country. Quietly successful, the unassuming venue boasts some of the most reliable ticket sales in town. From them we’ve come to expect the earnest Arthur Miller drama, British farce and classic musical comedy — comfortable chestnuts staged by a representative slice of the Eugene community. But a new spirit is moving within the aging, wood-paneled walls. Recently elected VLT president Jay Hash is a mere 31 years old, and he presides over a fresh theater board looking to shake things up. Continue reading 

Radio Days

Fred Crafts’ Radio Redux moves to the Hult

On stage with Radio Redux

Once upon a time, families across this nation gathered around the radio at the appointed hour, eagerly awaiting the next installment of such classic shows as Gunsmoke, Superman, Burns and Allen or Arch Obler’s creepy Lights Out. This was the “Golden Age of Radio,” an era stretching roughly from the 1930s through the end of the Second World War, and it was no less vital for being cast now in an aura of quaint nostalgia. Continue reading 

Artistic License to Wed

Performance artist Ryan Conarro explores marriage in the 21st century

The frontline of the fight for civil rights isn’t only in the courtroom or marching down the street, but on stage from Alaska to New York City to Eugene. Interdisciplinary performance artist Ryan Conarro visits the Jordan Schnitzer Museum of Art this week to perform his latest work, this hour forward, a multi-media production reflecting the changing state of marriage rights.  “It’s a piece exploring family, love, marriage, identity and the gay rights movement,” Conarro tells EW. Continue reading 

The Making of a Quagmire

Steve Lyons’ play The Ghosts of Tonkin, about Wayne Morse and Vietnam, hits Eugene for one-night engagement

Greg Monahan as Sen. Wayne Morse and Gray Eubank as President Lyndon Johnson in The Ghosts of Tonkin

The Ghosts of Tonkin, a dramatic work about the Vietnam War by Bellingham, Washington-based playwright Steve Lyons, will show Sunday, Sept. 28, at Wildish Theatre. Lyon’s play is a behind-closed-doors investigation of the political maneuvering that led to the conflict, focusing on such historical figures as Robert McNamara, Barry Goldwater, Lyndon Johnson and Oregon Senator Wayne Morse, one of only two U.S. senators to vote against the war. I’ll start by playing devil’s advocate. Why do we need another dramatic work about Vietnam? Continue reading 

Happy Days Are Here Again

Red Cane makes Much Ado about the red, white and blue

David Angier and Lizz Torrecillas in Much Ado About Nothing. Photo courtesy of Red Cane Theatre

The plays of Shakespeare are infinitely flexible, capable of being transported across time to various historic eras and transplanted into soils that are vastly different than those originally intended. Some adaptations work splendidly, others not so much: I’ve seen the Bard by turns relocated to late-20th-century Venice Beach, wedged wickedly into Nazi Germany and, not too long ago, given the hipster goose of modern Manhattan. Continue reading