We've got issues.
Movies are grand, but theater is alive — something to remember as the 2013-2014 season settles into its groove. When we recline in our cozy seats before the big screen, we are supplicating before a product, a bit of prefabricated horseplay that, despite our various responses, is as inflexible and immutable as a ride on a roller coaster. Continue reading
At the North Crawford Mask & Wig Club, Central Connecticut’s finest community theater, Tom Newton is waxing philosophical on love, pure and complicated. “The way I see it,” he notes, “love and theater have a lot in common. They’re both seductive. They both make promises they can’t always keep. And they’re both chock-full of attractive people who are maybe just a little too addicted to drama.” Continue reading
Czech-born playwright Tom Stoppard was knighted as a British subject in 1997, a gesture of literary pomp that, while entirely deserved, nonetheless must have struck Sir Tom as a delicious twist of irony. Continue reading
Brian Haimbach waited, watched and learned. His first year as the lead theater faculty at Lane Community College slipped by as Haimbach got to know the college and the community. Now, he’s ready to bust out some change. Haimbach’s vision encompasses transfer degrees, acting competitions, community connections and the revamping of a vibrant old theater department. Continue reading
“Even if he was a communist, why would he have cards printed up?” the writer asks, hearing that General George Marshall has just been accused by Joseph McCarthy of being a card-carrying communist. It’s just another day at the office — the crazy, neurotic, hysterical office for Lucus (Zachary Twardowski) as he tries to make it as a comedy writer for a major comedian against the pressures of lowering network standards and Cold War propaganda. Continue reading
The Knights Who Say “Ni.” The Killer Rabbit of Caerbannog and the Gorge of Eternal Peril. A three-headed giant, a sorcerer named Tim and that petulant French sentry who threatens to “fart in your general direction” before vowing to “taunt you a second time.” Continue reading
“It’s Fronkonsteen!” he barks, steadfastly denying his monster-making roots in Transylvania. But when the death of his grandfather necessitates a trip back to the family castle, the temptation is too great. The young neuroscientist’s eyes glow as he reads through his infamous grandfather’s notes. He becomes possessed by possibility of creating life. The townsfolk, long horrified by the Frankenstein family business of animating corpses, don’t trust this transplanted New Yorker with a turnip, much less a newly dead body and an abnormal brain. Continue reading
It’s the stickiest month of the year in rural Oklahoma, and the air conditioning is off. That’s the way Violet Weston likes it, despite the fact that she’s hosting a houseful of sweltering family members who’ve gathered in her home following her husband’s disappearance. Her three daughters are here, and they’ve brought assorted husbands and children in tow. Caring for seemingly fragile Violet in her hour of need should feel like a “Very Special Episode” of your favorite TV show. Continue reading
For those among us who prefer our artists to be a bit prickly — the artist as porcupine — let me first point out that playwright Aaron Posner is the recipient of the 2012 RuleBreaker Award from No Rules Theatre in Washington, D.C. During the award ceremony in June, actor Holly Twyford summed up her appreciation of Posner thusly: “Your honesty is usually right on, sometimes brutally so.” Continue reading
Rock and pop worked their way into theatrical productions long ago: Jesus Christ Superstar and Hedwig and the Angry Inch to name two. Lately, Broadway has struck gold weaving tunes from pop artists like Abba with 1999’s smash hit Mamma Mia! (coming to the Hult Center January 2014) and Franki Valli in 2005’s Jersey Boys. Continue reading