The Business of Laughter

Very Little Theatre inspires with Laughter on the 23rd Floor

“Even if he was a communist, why would he have cards printed up?” the writer asks, hearing that General George Marshall has just been accused by Joseph McCarthy of being a card-carrying communist. It’s just another day at the office — the crazy, neurotic, hysterical office for Lucus (Zachary Twardowski) as he tries to make it as a comedy writer for a major comedian against the pressures of lowering network standards and Cold War propaganda. Continue reading 

Monsters, Mayhem and Mel Brooks

The Actor’s Cabaret of Eugene brings Young Frankenstein to Life

“It’s Fronkonsteen!” he barks, steadfastly denying his monster-making roots in Transylvania. But when the death of his grandfather necessitates a trip back to the family castle, the temptation is too great. The young neuroscientist’s eyes glow as he reads through his infamous grandfather’s notes. He becomes possessed by possibility of creating life. The townsfolk, long horrified by the Frankenstein family business of animating corpses, don’t trust this transplanted New Yorker with a turnip, much less a newly dead body and an abnormal brain. Continue reading 

August in September

Oregon Contemporary Theatre kicks off its fall season with a rollicking family drama

It’s the stickiest month of the year in rural Oklahoma, and the air conditioning is off. That’s the way Violet Weston likes it, despite the fact that she’s hosting a houseful of sweltering family members who’ve gathered in her home following her husband’s disappearance. Her three daughters are here, and they’ve brought assorted husbands and children in tow. Caring for seemingly fragile Violet in her hour of need should feel like a “Very Special Episode” of your favorite TV show. Continue reading 

Playwright of Champions

Aaron Posner reflects on his upcoming play at OCT, Vonnegut and filling the seats

For those among us who prefer our artists to be a bit prickly — the artist as porcupine — let me first point out that playwright Aaron Posner is the recipient of the 2012 RuleBreaker Award from No Rules Theatre in Washington, D.C. During the award ceremony in June, actor Holly Twyford summed up her appreciation of Posner thusly: “Your honesty is usually right on, sometimes brutally so.” Continue reading 

Red-Hot Honky Tonk

The Red Cane Theatre kicks off the fall season

A pair of city slickers arrives in a podunk town. They’ve come to close the local saloon, which is financially strapped. The businessmen’s trip is something of a lark; though their mission is clandestine and cutthroat, they find the saloon, and the people in it, quaint and charming. One of the businessmen starts to fall for the saloon’s proprietress, a gorgeous, lovelorn woman with a stubborn streak. Drama ensues, and the whiskey flows. Fights erupt. Hearts collide. Continue reading 

To Kill For

So just how juicy is the role of murderess Roxie Hart in the Tony-winning Broadway musical Chicago? “It’s very juicy,” says actor Paige Davis, who will be playing the homicidal vamp when the touring production stops for two shows Sept. 10 and 11 at Eugene’s Hult Center. “It’s been exceptionally juicy,” Davis adds. Continue reading 

Betrayal and Blood — Staged Poolside

Free Shakespeare in the Park

A brilliant politician who would be king is brutally stabbed to death by a group of senators … right in the middle of Amazon Park? Now that’s drama. With daggers at the ready and poetry popping from their lips, it is time again for Shakespeare in the Park’s annual show. This year they take on the bloody, ever-relevant The Tragedy of Julius Caesar. I managed to fire off a few questions to Artistic Producing Director Sharon Se’love as she raced about in the final week before production. Continue reading