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The bawdy, angst-filled puppets have returned. In the style of Sesame Street, but with a whole lot more sex, you can cringe in commiseration as Princeton, a recent college grad, searches for his Purpose. Like most 24-year-olds with delusions of significance he manages to lose a job, bungle relationships and spend his rent money on beer, but with a sincere and open heart. Continue reading
Pithy, witty and wise, Oscar Wilde remains the toast of the sniff set. Though dead all these long and tedious post-industrial years, Wilde, the foremost icon of soft-soap Victorian sabotage, is always good for a sharp, stinging rebuke to the narcissistic pretensions of the bourgeoisie or some feisty fillip about sexual hypocrisy of the straight crowd. His aphorisms, with their subtle swish and sting, trip oh-so trippingly off the tongues of would-be wags everywhere. Morrissey, Truman Capote and Paul Lynde, Wilde’s closest modern kin, ain’t got nothing on the master. Continue reading
“The names have not been changed,” John Dobbs says with a dramatic flair. “There are no innocent.” And thus begins the staged transcript of the deposition of John Dobbs. Continue reading
Rock Hudson: tall, handsome, ruggedly macho, gay. Following his death from AIDS in 1985 was a sensational media circus lawsuit: Scorned lover Marc Christian was demanding $14 million, claiming it was owed to him as he had been unwittingly infected with the disease. Within this spectacular story, The Cleaning Man turns the spotlight on a fine-print footnote to history. John Dobbs, vain and simple, found employment and self-importance cleaning Hudson’s house. Continue reading
One year ago, Tony Rust conceived the idea of directing Pippin at Marist High School, and playing the Leading Player himself. If directing a high school play and being in it sounds crazy, remember that this is Tony Rust — the Marist drama teacher doesn’t sleep. He can be found doing everything from directing, running summer camps, crafting sets under the name FeO2, singing lead roles, teaching high school drama and often doing several of these things at the same time. Continue reading
There is this sublime passage near the end of Cottage Theatre’s current production of The Secret Garden when Kyra Siegel, in the lead role of Mary Lennox, bows low to the stage and then rises in hypnotic fits and starts, as her character commences a healing dance for her invalid cousin Colin (George Schroeder); seeming possessed, Siegel’s lanky body jumps and arcs and shivers through space, and the complicated grace of her movements defies the mundane laws of gravity. It’s beautiful to behold. So beautiful, in fact, that I found myself tearing up. Continue reading
“Coming out of the first interview I called my partner and said, ‘Start packing!’” new LCC Theater Director Brian Haimbach says. In a discussion that was heavily peppered with descriptors like “smooth,” “easy” and “meant to be,” it is obvious that Haimbach is happy in his new home with the Titans. Stepping into the shoes of local legends Ed Raggazio and Patrick Torelle, Haimbach has a big job ahead of him, and one that he seems to be relishing. Continue reading
A 1912 piece of pulp fiction by Edgar Rice Burroughs leaves a British baby on the shores of West Africa, growing up securely in the arms of a gorilla, swinging through the jungle and finally landing at the feet of a beautiful young lady, Jane. The original story spawned over 20 sequels. Disney revamped the adventures for a film in 1999 and again for a stage musical in 2004. Nine years later, Tarzan lands at the New Hope Center for the first Pacific Northwest production. Continue reading
The Actors’ Table of Eugene (T.A.T.E.) is showcasing some of the best comedy for women … and potatoes. This installment of Eugene’s eclectic readers’ theater will feature some sort of spud in every offering. Local actresses will read from their favorite comic pieces, and so long as there’s a potato involved, it’s no-holds-barred on the material. Continue reading
“There’s just no one who can touch her. Hell, I hang on every line,” Jimmy Buffet once sang of Patsy Cline. She is so much more than the first female country singer to headline her own tour, to perform at Carnegie Hall and to truly break down barriers of gender in country music. She is more than a tragic legend of young talent, villainous prompters and a cheating husband. She is a voice so strong and soulful you begin to wonder why you ever bothered listening to anyone else try to sing. Continue reading