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Cereal and the City: New York pop artist Michael Albert is coming through Eugene with his traveling exhibition, including workshops, 1:30 to 4 pm Tuesday, Aug. 2, at the Hult Center plaza; FREE. Albert is perhaps best known for his cubist cereal box collages, or cerealisim, and his knack for using junk, from junk mail to old business labels to the Frosted Flakes box that started it all. Continue reading
If you haven’t seen the work of self-taught local artist Larry Hurst, get thee to Corvallis for an opening reception of his solo exhibit, What He Sees, 4 to 8 pm Thursday, July 21, at the ArtWorks Gallery, 408 S.W. Monroe Street; FREE. His swirling landscapes and remarkable use of color could have been born out of the wild expressionism of the early-20th-century Fauves, while a fellow EW writer told me his paintings looked Van Gogh-y. Either way, his work is a breath of fresh air over the mountains. Continue reading
How is the American identity defined today? When a certain Fanta-faced presidential nominee is targeting American minorities with threats of deportation or supporting heightened “security” of browner neighborhoods, the question takes on a new urgency. Two artists, Victoria Suescum and Lee Michael Peterson, tackle the question by exploring their identities as Latin@s (the gender neutral term for people of Latin American roots) within American culture in the new ¿Identity? exhibit up through Sept. Continue reading
The Oregon Country Fair poster is as much of an institution as the Fair itself. Around May each year, the OCF poster committee reveals the winning design and, like a harbinger of summer, it becomes increasingly ubiquitous, pinned to bulletin boards and taped to storefronts around the region. Artist Ila Rose had submitted work to the committee in the past, to no avail. This year, she nabbed the commission — in a year that, according to the poster committee, had a record-breaking number of submissions. Continue reading
Pop surrealism descends on Eugene: Gallery newcomer the Alexi Era Gallery, tucked neatly between downtown and the Whiteaker (at 245 W. 8th Ave.), joins the festivities for First Friday ArtWalk 5:30 to 8 pm Friday, July 1. Owner and curator Aunia Kahn recently relocated the gallery from St. Louis, where it was part of the pop surrealism — a descendent of low-brow art — and new contemporary art movement. This gallery could be a huge boon for the edgier corners of the local art community, as remaining galleries in Eugene tend to show more traditional, safer works. Continue reading
Josh Krute likes wood — I mean, he really, really likes it. We sat in a coffee shop (at a wooden table, of course) and he ran his hands over the tabletop’s grain, sputtering off details about it with a pretty serious expression on his face. “In the last six or seven years, I’ve been printing sections of wood,” he explains. “I’ve been transferring their grain patterns onto paper — a process called relief.” Continue reading
Eugene painter Ellen Gabehart’s home is far from a Martha Stewart-esque suburban rambler stocked with Ikea purchases. Gabehart has art covering every inch of her cozy space, furniture included. She reminds me to check the art in the bathroom before we sit down in her studio. Gabehart strikes me as the epitome of a Eugene artist with a history of activist work, community building and a mix of both trippy and political art pieces. Continue reading
Oil paintings of Martin Luther King Jr., Nelson Mandela, Frida Kahlo and Abraham Lincoln, among others, lined the walls of downtown Eugene’s Townshend’s Teahouse amidst the chatter of conversation and the clinking of ceramic mugs against tabletops. These portraits are the work of Simon Graves, a Eugene artist whose current oeuvre is focused on the importance of the constructs of good and evil — and specifically the characters we tend to conceive as being good on an iconic, archetypal level. Continue reading
Purple pages: Storm Entertainment, a Portland-based comic and graphic novel company, has just released the comic book biography Tribute: Prince in honor of the late artist and his June 7 birthday. Michael Frizell wrote the 24-page comic and Ernesto Lovera and Vincenzo Sansone created the art. “His sound and lyrics defined the era for me in ways that Michael Jackson didn’t and, quite frankly, couldn’t,” Frizell says via press release. Continue reading