Meerah Powell’s Picks REQUIEM FOR A DREAM (2000) Just because Darren Aronofsky’s 2000 film, based on a novel by Hubert Selby Jr., isn’t explicitly a … Continue reading →
Eugene Weekly staffers Meerah Powell and Rick Levin discuss some of their favorite horror films throughout the eras in this spooky Halloween bonus episode of What’s Happening. Don’t know what you should be watching this All Hallows’ Eve? We’ve got you covered. So get some popcorn popping, light some candles (and your jack-o’-lantern), cuddle up on the couch with a blanket and get scared. For even more Halloween-y movies, check out the Halloween issue of Eugene Weekly out in our red boxes on Oct. 26, 2017, or online always at EugeneWeekly.com.
In Ambrose Bierce’s classic story “An Occurrence at Owl Creek Bridge,” a plantation owner in the Civil War is hanged from a bridge. Between the … Continue reading →
Will we reach a moment in time when the real world looks more science-fictional than movies? Or does it already? Ridley Scott’s Blade Runner, released … Continue reading →
This Flatliners remake is truly mystifying. What called for a new version of the 1990 Julia Roberts/Kiefer Sutherland/Kevin Bacon thriller now? (Or ever, for that … Continue reading →
For my money, Lady Macbeth is second only to Iago among Shakespeare’s depictions of pure Machiavellian evil. She is delicious — a monster of insidious … Continue reading →
It’s been a while since a major studio movie has been as divisive as Darren Aronofsky’s Mother! There is no spectrum of audience appreciation for … Continue reading →
Beach Rats is a lot of things in one film: beautiful, ominous, crushingly sad, tender, lonesome, scary, new and yet too familiar. Its contradictions are … Continue reading →
My favorite moment in writer-director Taylor Sheridan’s new thriller Wind River comes at the very end of the film. Cory Lambert (Jeremy Renner), a Fish … Continue reading →
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