The Bard Meets Jazz

The 18th annual PICFEST welcomes Shakespeare and the Yellowjackets

Yellowjackets

The Pacific International Choral Festivals (PICFEST) celebrates its 18th season this summer with the premier of Shakespeare & All That Jazz, Sunday, June 26, featuring jazz greats the Yellowjackets, and a 300-voice Youth Festival Chorus, all under the direction of guest conductor and composer Bob Chilcott.    PICFEST draws choirs from all over the country to Eugene, for an opportunity to learn, collaborate and perform.  After nearly two decades, Artistic Director Peter Robb, says PICFEST is “a template we know really well.”  Continue reading 

Gaga for Gershwin

OFAM delves into Gerswhin, and contemporary classical music shines

Funny Face runs at The Shedd June 17-26.

What historically informed European musicians have done for Baroque music, James Ralph does for American musical theater. For years, the Oregon Festival of American Music (OFAM) impresario has been painstakingly supervising the reconstruction of the original scores of George and Ira Gershwin’s classic 1920s musicals, which have been performed for decades only in relatively bastardized remakes for stage or screen.  Continue reading 

Summer Snow

Snow Tha Product is a pint-sized rapper who brings high-voltage ferocity to the hip-hop scene, drawing on her Mexican heritage with a twist of Cali-Texan influence.  The self-made femme-c seamlessly creates rhymes that are on par with — if not better than — most mainstream artists of the same genre. Snow started sewing together rhythm and words at freestyle battles down in Texas, where she found her niche.  Continue reading 

Brain Cream Pop

For touring bands, finding a reliable person to run the merch table, selling assorted paraphernalia, can be a challenge. But on one of Jaill’s passes through Eugene, the band found a creative solution.  “We were bringing an elderly man-puppet on tour to help sell merch,” recalls Jaill bandleader Vincent Kircher. “We were putting taquitos in its mouth, glasses on his face and people posed with the doll. That sounds dumb and unfun, but it wasn’t.” Continue reading 

Forever Uncomfy

It was the early 2010s when the fountain of indie and alternative bands touring Eugene started to run dry. The new decade instead spewed more touring hip-hop, rap and pop artists until the floodgates finally burst with the eruption of the EDM scene.  Continue reading 

Moody Charms

Over the phone, Ruth Moody very sweetly and very quietly asks me to remind people that she recently collaborated with Mark Knopfler, as in of the Dire Straits, and as in: She thinks she needs the extra cred to fill the seats at Moody’s show June 9 at Tsunami Books. Continue reading 

The Sad Ballad of Bobby and Willy

In any era, Bob Dylan is a transcending icon of cool. Other ’60s-era musicians tried to break the rules but Dylan, rebellious and irreverent, made up a whole new game. At this point, Dylan is everywhere; many of his tunes are as ubiquitous as “Baa, Baa, Black Sheep.” Almost everyone’s life seems to intersect with this jangly-limbed trickster from Minnesota. So the question is not so much are you a Dylan fan, but what is your Dylan discovery story?  Continue reading 

Melting Pot

Celebrating the meshing of musical traditions around town

Carrie Rodriguez

While certain politicians make political hay by advocating divisions among Americans based on race, language and origin, artists and musicians are demonstrating the value of joining diverse American traditions.  On her new album Lola, Carrie Rodriguez, who performs at The Shedd June 7, embraces both sides of her heritage (Anglo and Latino), both sides of the divided Austin she grew up in and both English and Spanish — as a result, delivering a poignant folk-Americana triumph.  Continue reading 

The Cutting Edge of Youth

L.A. hardcore industrial duo Youth Code is touring in support of its second studio record, Commitment to Complications. With this record, Youth Code, featuring Sara Taylor and Ryan George, push deeper into the rough, serrated electronic territory of bands like Skinny Puppy, Godflesh and Ministry.  This is not pleasant music, but it is thrilling, challenging and rewarding. Hardcore vocals accompany a throbbing, pulsating beat that almost inspires you to dance but instead hammers your consciousness into a brutal kind of awareness. Continue reading