Mexican Metal

Mexico-via-L.A.’s Metalachi

Metalachi

"Bang," "quack" and "sizzle" are onomatopoeias. If a band name were ever onomatopoeic, it would be Mexico-via-L.A.’s Metalachi — the self-proclaimed first and only heavy metal mariachi band in the world.  Lead singer Vega De La Rockha calls the band’s blend of traditional Mexican music with hard rock and metal a genre of its own.  “El Cucuy [trumpet player] is very fond of the ranchera sound,” La Rockha tells EW. “Pancho [guitarron player] is a fan of both genres.”  Continue reading 

Swagger and Swinging Beats

Minneapolis-based Davina and the Vagabonds

Davina and the Vagabonds

The Minneapolis-based Davina and the Vagabonds have swagger — circa 1920s swagger, the kind found in the midst of big-band jazz and the blues. It was 2011 when Davina Sowers (vocals, piano, ukulele) put out her first full-length album, Black Cloud, and she and the Vagabonds have been crashing to the top of the modern blues scene ever since, winning accolades like one of the 10 top releases of the year (Minneapolis Star Tribune).  Continue reading 

Welcome Back Alsop

Conductor laureate Marin Alsop’s grand return to Eugene highlights spring music

Marin Alsop

When the Eugene Symphony chose a young, little-known conductor named Marin Alsop as its music director in 1989, both she and the orchestra were at best marginal micro-planets orbiting the farthest reaches of the American classical music solar system. By the time Alsop left in 1996, the New York native was one of classical music’s rising stars, crashing through a series of glass ceilings in a seriously sexist classical music milieu to score a handful of increasingly prestigious gigs with orchestras around the world, from São Paulo to Scotland. Continue reading 

Psychedelic Double Feature

Phish-y influences and classic experimental sounds

Lucy Arnell

On the night of March 30, Sam Bond’s Garage is going to be painted with some funkadelic jams, man. Lucy Arnell and Holly Bowling are bringing tunes laced with Phish-y influences and classic experimental sounds. Arnell, a self-described former New York City “concert bum,” moved to the West Coast in 2013. She then met and collaborated with guitarist Jason Abraham Roberts (Norah Jones, HYMNS) to produce her first EP, Side by Side, which later unfolded into a full-length album with a track featuring Jon Fishman (Phish) on drums.  Continue reading 

Rising Young Hip Hop

Young Florida rapper Denzel Curry

Denzel Curry

Young Florida rapper Denzel Curry — he turned 21 in February — is returning to WOW Hall as a headliner after his last stop in 2015 opening for Joey Bada$$ and Mick Jenkins. The evolution to headliner in one year makes sense: Before releasing his debut album Nostalgic 64 in 2013, Curry appeared on BBC Radio and performed at Coachella. His hard-hitting track “Threatz” has a phenomenal, psychedelic music video that has racked up 6.5 million views. Continue reading 

Back Beat

If you strolled downtown last weekend you may have caught a glimpse of new lights on Broadway: The Jazz Station revealed its new double-sided neon sign pairing the venue’s name with a saxophone. The sign helps highlight the West Broadway block as the arts and nightlife anchor its becoming with neighbors Oregon Contemporary Theatre (which also has some great neon signage), The New Zone Gallery, The Wayward Lamb and Nephos Vape Werks. Continue reading 

Roller Girls

Kelli Mayo and Peyton Bighorse form Skating Polly

Skating Polly

In 2009, at the tender ages of 9 and 14, best friends Kelli Mayo and Peyton Bighorse formed the band Skating Polly. Bighorse says the pair bonded over a shared love of music and movies.  “We were pretty fast friends,” she recalls. “We’ve always been surrounded by music and instruments, so it came very naturally for us and since we were so close before, it felt easy to be creative with each other.”  Continue reading 

Back Beat

The crunchy, poppy garage rock of The Googins — which combines the power-chord bash of The Who with the sing-a-long stomp of the Ramones and the Sex Pistols — might be one of the best-kept secrets of Eugene’s music scene, but nobody likes secrets, so you can catch The Googins at Old Nick’s 9 pm Friday, March 18, when they play with Fools Rush, Cuntagious and Rum Rebellion; $5-$10 sliding scale.  Continue reading