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Chicago-based Sidewalk Chalk is a hive of ingenuity and aspiration. From keys, drums, horns and bass to an emcee, powerful female vocals and a tap dancer, this eight-member crew thrums with talent. Despite the layers and complexities, the members of Chalk share a common passion — to transcend the norm, the expected, the known — resulting in a fluid sound that is equal parts jazz, soul, hip hop and funk. Continue reading
Standing apart in a genre as progressively popular as psych-rock isn’t an easy feat. With more and more artist elbowing their way into the mix, local band Snow White is angling to stand out among the crowd. All the customary traits are there: a dream-like, experimental sound paired with passionate melodies. Not so customary is Lauren Hay. With hair glimmering every shade of blue and deep mauve lips, Hay reaches into your soul with her haunting yet tender voice. Continue reading
If it wasn’t self-described, machinery would seem too rough or inorganic a metaphor for the harmony, improvisation and trust that comprises the Dave Rawlings Machine, but the synergy among members —especially between Rawlings and Gillian Welch — makes for an undeniably powerful engine of sound. The music of the Machine pays ancestral respect to the folk tradition, with its emotive lyricism and symbiotic musicality. Often having not rehearsed and finding themselves either on stage or in studio, members of the Machine lean on trust and intuition, following another’s lead. Continue reading
As a long-time Eugenean, I grow weary of Eugene jokes. On balance we’re bigger, hipper and more happening that our patchouli and tie-dye reputation. But since there’s often some truth in stereotypes, every so often I hear a tall-tale of the EUG and can’t help but think: “Only in Eugene.” Continue reading
The Pacific Northwest has left its mark on Wayne Horvitz’s music. Like his colleague, guitarist Bill Frisell, the jazz pianist and composer’s move from New York’s 1980s downtown music scene to Seattle sparked music of considerably broader appeal than the more avant-garde styles he was known for on the East Coast. Continue reading
If time is just a sequence of moments — a metered arrangement of flashes and blips set upon a far-flung scale — are there really such things as minutes and hours? Does history groove to a cosmic cabasa? Are rules of rhythm inherent within us or forged across ages of concrete occurrence? And if time itself is a beast worth taming, to whom will it answer? Continue reading
The members of Mudhoney will forever be classified as the Godfathers of Grunge, and for good reason. Their debut — 1989’s aptly named Superfuzz Bigmuff — set the grunge-rock template, stirring punk-rock sneer with metal riffs and drenching it all in distortion. Continue reading
In the ’90s, Ween were sort of like Phish’s creepy older brother: Phish got your sister high to expand her consciousness, while Ween had more devious intentions. Nevertheless, Phish and Ween share certain similarities: eclectic songwriting, a Frank Zappa touch for jokes and a buzzing jammy quality, whether the buzzing comes from cheap beer or top-notch weed. Continue reading
Grab some saddle shoes and head to the upstairs ballroom at the Vet’s Club (1626 Willamette) 7 to 10:30 pm Saturday, Oct. 10, for the three-year anniversary swing dance of Track Town Swing Club. We featured Track Town founder Nick Davis in EW’s September dance issue (“Swing Kid,” 9/10), and he’ll be leading an intro lesson with other Track Town members from 7 to 8 pm. Then show off your Lindy hop moves to the sounds of the 22-piece Blue Skies Big Band; $10 for lesson and dance entry. For more info, visit tracktownswing.com. Continue reading
It’s Brooklyn rap at its finest, sprinkled with philosophical musing and psychedelic influence. Often mentioned with Joey Bada$$ and Flatbush Zombies, The Underachievers are at the forefront of new-wave rap from the other side of the country — known as the “Beast Coast” movement. When Issa Gold and AK spoke with EW, they briefly forgot Oregon was in the U.S., but, more importantly, they remembered there is “good weed” in nearby Portland, which is enough for me. Continue reading