Bummer, Dudes

New Bums apply a lo-fi Simon and Gar-fuck-it take to the tired old trope of two dudes with guitars. “We’re pretty stripped down with an emphasis on words,” Ben Chasney, of New Bums, tells EW via email.   Continue reading 

For further evidence that Tiny Tavern seriously shreds as a live venue

Will Johnson

For further evidence that Tiny Tavern seriously shreds as a live venue, head down Friday, April 11, for Basque punk/nu-metal band Berri Txarrak (“Bad News”), a power trio from Spain that plays high-octane alt-rock, meshing the anthemic assault of Judas Priest with the angsty crunch of early grunge. Founded in 1994, this outfit has recorded with Steve Albini and toured with Rise Against, and they sing in their native tongue. Long live Basque metal!   Continue reading 

Giant Sounds

Young the Giant

After breaking into the modern rock and alternative worlds in 2011 with hit singles like “Cough Syrup” and “My Body” from its self-titled debut record, Young the Giant needed to decompress before starting work on its 2014 release Mind Over Matter. Continue reading 

Kitty Cat Club

Kitten

“Like a Stranger,” track one off L.A. band Kitten’s 2013 release of the same name, is romantic ’80s dance-pop to the max — all smoke machines, teased bangs and the distinctive electric-boogaloo beat of the era; think Madonna’s “Lucky Star” meets Pet Shop Boys remixed by early hip-hop pioneer Grandmaster Flash. Continue reading 

Kids These Days

Future Islands

Don’t be surprised if Future Islands comes snapping out of 5th Alley like a gang of dancing street toughs from 1955. The North Carolina-founded, Baltimore-based synth-pop trio has grooves to spare, and lead vocalist Samuel T. Herring has some dance moves that will make you feel inadequate. They’ve been working at that can-do sound of theirs, all the while evolving from kids to adults, and nowadays they’re surfing a wave of half-maturity that leaves their sound feeling hopeful, ponderous and full of heart. Continue reading