Eugene Weekly

In order to make her last album, 2012’s Bridges, come to life, Lisa Forkish — a South Eugene High alumna, current music educator at the Oakland School for the Arts and jazz vocalist — had to jump into the deep end and pray for the best. Continue reading →

Douglas County Daughters is another firm example that music is a place where sibling rivalries can fall by the wayside. After growing up in Douglas County, Neb., surrounded by their mother’s passion for 1940s music, sisters Mollie Ziegler and Emily West became classically trained musicians. The two pursued professional music careers with different groups before coming together to form Daughters, honing in on the vintage Americana sound originating from their roots.  Continue reading →

Almost Famous, the 2013 release from Seattle’s Big Eyes, busts out of the gate with “Nothing You Could Say” — a riff-heavy, drum-bashing, fist-in-the-air anthem with guitarist and vocalist Kate Eldridge recalling Joey Ramone or Joan Jett. “The Sun Still Shines” begins with an almost Deep Purple-inspired guitar riff, but before long it’s vintage Runaways. “You’ve got a lotta nerve treatin’ me that way,” Eldridge sings defiantly. Continue reading →

For Ben Morrison, the guitarist and one of the vocalists for The Brothers Comatose, recording their second album, 2012’s Respect the Van, was a very different experience than recording their debut album, 2010’s Songs from the Stoop. Continue reading →

On Nov. 23, the Eugene Symphony transforms an opera into a concert and a ballet into a play. The inventive show opens with Sergei Prokofiev’s intensely dramatic 1936 ballet score, Romeo and Juliet — but instead of dancers, the Silva Hall stage will boast a trio of actors from Ashland’s world-renowned Oregon Shakespeare Festival who will perform scenes from Shakespeare’s play, sometimes interpolated, sometimes in conjunction with the music. Continue reading →

Every culture lives in a state of duality, whether it’s past versus present, left versus right or some other ying yang. But few places have a physical barrier marking the binary like the border city of Tijuana, Mexico, where life, love and culture literally straddle a wall. This is where the sounds of the Nortec Collective, and its major players Bostich + Fussible, were born. Continue reading →

The Shook Twins live a charmed life. Whether performing their quirky brand of indie folk pop solo, opening for Blitzen Trapper or the Carolina Chocolate Drops or partaking in side projects like Morning Ritual with Portland jazz luminary Ben Darwish, people love them to death. Focusing on variety has certainly helped, especially with regard to their content. Continue reading →

The Eugene-based Breakers Yard band says it best on the back of its latest release, Raise Some Bacon: “Legend has it Breakers Yard formed when both [band members] Greazy and Hot Coppa were simultaneously visited in a dream by the ghost of Cab Calloway.” Then there’s their ReverbNation bio: “We all play lots of instruments, so you never know what you’re going to get when it comes to instruments with strings, and suitcases.”  Continue reading →

Lyrics like: “bridges hold a sky of tired birds”; “come October we’ll fill our blankets up with leaves”; and “we sway until the moon is on our shoulders” go to show Anna Tivel, known on stage as Anna and the Underbelly, has arrived as a songwriter. Dripping with imagery, the Portland-based singer-songwriter’s first album, Brimstone Lullaby, whisks listeners away to the gray rainy streets and golden-brown autumns of the Pacific Northwest, Tivel’s main muse.   Continue reading →