Music: Page 200

Reverend Horton Heat

Music

There are some groups that will be remembered for being different. Reverend Horton Heat have decided to drop by, fairly unannounced, this week, to John Henry’s. Yes, you heard us right — it’s the Reverend Horton Heat. Since 1985, Jim Heath and his bandmates have been breaking out unique, hair-raising psycho-rockabilly music. For those that aren’t familiar with the genre, take all the angst of punk, the class of swing, the crest of surf and the twang of country. Throw in a stand up bass and you’re half way there. Continue reading →

The Neon Bro Spectacle

Music

Connor Martin really wants to party with you. In fact he’s driving up and down the entire West Coast building an army of eccentric, neon-clad youth. Con Bro Chill, Martin’s wacky, power-party pop troupe embraces the bombastic, donning neon garb from head to toe. And, yes, that includes neon loafers.  Continue reading →

Flawed Beauty

Music

If you want to know what Robin Bacior sounds like, and I mean really sounds like, listen to her 2013 EP I Left You, Still In Love (available for free until Feb. 25 at robinbacior.bandcamp.com). The album was recorded in a one-day session at Headgear Studios in Brooklyn, New York. If you listen closely to “Women Speak,” you will hear a guitar string snapping. At first, Bacior thought she had ruined the track, but the recording grew on her, the flaws creating a sense of intimacy. “It’s a direct reflection of our live show,” Bacior says. Continue reading →

Interplanetary Escape Vehicle

Music

Electronic music is criticized for using cold and soulless sounds made by machines. It’s often dismissed as falling in one of two camps: sleep-inducing new-age soundscapes or frantic beats for sleepless day-glo ravers. Sound Tribe Sector 9 (STS9) is here to prove both of those assumptions wrong.  Continue reading →

Oh, The Horror (Folk)!

Music

A friend of mine uses “stomp/clap band” to describe the recent trend of indie folk/pop, a sound reaching both its penultimate victory and sure sign of eminent decline with The Lumineers appearing at the Grammys and Mumford & Sons’ best album win. “You won’t find any ‘hos’ and ‘heys’ in our tunes,” says Terrible Buttons vocalist and guitarist Kent Ueland, referencing the recent hit “Ho Hey” by The Lumineers. Continue reading →

A Healing Tale and More

February is bright with a new opera, The Planets and an array of jazz

Music

Classical music is often rightly accused of ignoring the here and now. Fortunately, many younger composers are using classical and postclassical forms to help us understand the sometimes-unpleasant realities of the world we live in. UO grad student and award-winning composer Ethan Gans-Morse directs the Ambrosia Ensemble, which will perform the world premiere of his new opera-oratorio, The Canticle of the Black Madonna, at the University of Oregon’s Beall Concert Hall in a free performance Feb. 16. Continue reading →

Valentine’s Weekend Roundup

Music

Valentine’s Day (or Forced Romance Day, Singles Awareness Day — whatever you prefer) and the proceeding weekend are packed with excellent shows, so grab your schmoopy or your sweet self and paint the town red. Kick off Feb. 14 with the Shook Twins ($13 adv., $15 door) and From Cole: With Love: A Valentine’s Day Cabaret (Feb. 14-17, $12) at Corvallis’ The Majestic Theatre and Bone Thugs-N-Harmony at WOW Hall (see music shorts).  Continue reading →

Texas Grunge Rock Rebels

Music

Eugene is about to swallow a whole lot of Austin, Tex., grunge-rock vigor; The Blind Pets are inspired by a DIY attitude and a complete lack of concern or sympathy for bullshit rock ’n’ roll.  “Rock and roll on a bigger level is taking a dump,” says guitarist and vocalist Joshua Logan, referencing prog rock bands like Muse as the enemy to true rock. “People think of Muse as rock and it’s just not.”  Continue reading →

A very Bone Thugs-N-Harmony Valentine’s day

Music

Sometimes it really is all in a name: Bone Thugs-N-Harmony. Since the early ’90s Bone Thugs have blended straight-up thuggery with some sweet Temptations-style harmonies, creating one of the most distinctive rap/soul hybrids of the hip-hop era; all the while maintaining a street edge separating them from other ’90s neo doo-woppers like Boyz II Men.  Continue reading →

Dead Prez in the Information Age

Music

It makes sense Dead Prez are in town for the UO “Social Justice, Real Justice Conference.” The New York-based hip-hop group has long taken on politics in its work; themes of socialism and social justice, protest of corporate control of the media (particularly hip-hop record labels) and pan-Africanism have been threads running through the group since they began in the late ’90s.  Continue reading →