Old Ways, New Sounds

Edna Vazquez

Edna Vazquez

The music of Edna Vazquez can send shivers to your soul. When Vasquez performs, she closes her eyes and each of her facial muscles crinkles with concentration. She whistles and taps on her guitar’s body with an intimate familiarity, and when she opens her mouth to sing or speak, it’s a bellow straight from her heart. “I want to share something with everyone,” she says. “Whatever you do that is in a form to ease our hardcore journeys as humans, bring it out.”   Continue reading 

Return of the King

After five years in Brooklyn, Eugene-born musician Justin King has come home. “All my oldest friends and family are here,” King explains. “It’s really where my roots are,” he continues. “Brooklyn was getting even more overrun and expensive and crazier and crazier. I wanted to come back and focus on my own music.” Since being back in town, King’s band King Radio has released a four-song EP, Adaline, available now on SoundCloud.  Continue reading 

New Young Romantics

Sheffield, England’s The Crookes

The Crookes

If you’re anything like me, and I know many of you are, you grew up on a lot of ’80s and ’90s-era British guitar pop. Why? In my case, Brit bands seemed allowed a larger breadth of sensitivity and intelligence than their constantly macho Yankee colleagues. And, of course, there are those accents: romantic, working class, exotic and endlessly cool. Has the sound aged? Certainly. But in the end, haven’t we all? Continue reading 

Spin City

Eugene Weekly's Dance Issue 2016

Since inaugurating the monthly SPIN dance roundup in 2014, we’re pleased as punch that it’s taken off, gathering enough momentum to warrant two columns per month. Hopefully you’re clipping it out and tacking it to your fridge or sharing it online: We want this to be an inclusive, fun way to keep up with what’s happening in the world of local dance.  And if you’re an artist or presenter, we sincerely hope that this regular coverage brings some shiny new participants and patrons right to your door.  Continue reading 

Live Long and Prosper

Celebrating 50 Years of Star Trek with Eugene’s Trek Theatre

Half a century ago this world, as well as worlds beyond our solar system, fell in love with the ’60s television series-turned-movie franchise known as Star Trek. Christina Allaback, creative director of Eugene’s Trek Theatre, says that along with the relationships among central characters like Kirk, Spock and McCoy, the show’s underlying message of hope helps Star Trek endure. “There are dystopic science fiction stories,” Allaback explains. “With Star Trek you have the opposite of that — the possibilities of where the human race can go.” Continue reading 

Down and Out in West Texas

Two brothers start robbing banks to buy back the family ranch in gritty crime drama Hell or High Water

As the riotous ’60s bled into the scabby ’70s, a lot of people in this country found themselves asking what happened to the American Dream, and movies from that era reflected this swooning miasma. In film after great film, directors like Martin Scorsese, Sam Peckinpah and Robert Altman, to name just a few, tapped into our growing sense that something had gone seriously, desperately wrong — that the great social experiment of democracy and prosperity had finally begun rotting from the inside out. Continue reading 

Life on Mars

Jerry Joseph has been called the Anthony Bourdain of music

Jerry Joseph has been called the Anthony Bourdain of music. “I finally realized I was never going to be a big fucking rock star,” Joseph says. “Nobody’s ever going to invite me to Saigon to come play a concert.”  So the veteran Portland songwriter and longtime fixture on Eugene stages decided to take matters into his own hands and travel the world with his music.  “I called people I knew, people that lived in Cambodia and Thailand," Joseph explains. "And I brought a camera guy with me.”  Continue reading 

From Guinea with Love

The Yansanes put African dance in its cultural context through the West African Cultural Arts Institute

The Yansanes

Before moving to Eugene, Alseny Yansane danced for Ballets Africains, the most prestigious dance troupe in the West African nation of Guinea.  But there’d be no mistaking his moves for anything from Swan Lake.  Low squats, flips, rapid sideways motions, windmill arm movements — these are some of the most common hallmarks of the dozens of dances that can be found across Guinea and which Yansane and his wife Andrea Yansane teach at the West African Cultural Arts Institute (WACAI) here in Eugene.  Continue reading 

Stop Motion

A look at the state of dance in Eugene

Choreographer David Parsons’ signature piece, Caught (1982), features more than 100 leaps in six minutes by a solo dancer who is repeatedly trapped in mid-motion by the strobe lights he controls, creating an illusion of flight. Seen live, the work is unforgettable; I saw it once here, in Eugene, at the Hult Center, danced by Parsons himself. Caught seems an apt metaphor for dance: vital, powerful yet ephemeral, almost fragile. Dance requires a nutritive base to thrive, constant support and a collaborative spirit. Any dance venture is a leap of faith. Continue reading 

Dancing for Preservation

Mysterious forces drew Bonnie Simoa to Bali, Indonesia to study the legong dance, which she has now been practicing for two decades.  Simoa founded a dance company in Davis, California, and as the company was beginning its seventh season, she says she needed something more from her dance life. “I wanted to go some place where dance and spirituality and life were more integrated,” she says. By chance, Simoa came across Bali and then disbanded her company, put her things in storage, left her dog in the care of her sister and relocated to Indonesia for six months.  Continue reading