Eugene Weekly

Before Elton John, Duncan Sheik and Green Day created original stage scores, before all those jukebox musicals featuring songs by Abba, Four Seasons, Carole King and more, even before Rent, Grease, Hair and Jesus Christ Superstar, there was Lionel Bart — a pop songwriter who never learned to read or write music and yet composed some of Britain’s biggest pop hits of the 1950s for Cliff Richard and other stars. Continue reading →

It might be the way Makayla Meador carries her contagious energy or the fact she’s taking the local DJ scene by storm — whatever it is, something tells me to remember her name.  Continue reading →

When I listen to EDM, I’m brought back to freshman year when I was introduced to drugs, dub-step and sardine-packed shows. That’s when I first heard the badass-ery of Pretty Lights, an electronica sensation created by Derek Vincent Smith. Smith started Pretty Lights in 2004. He takes samples — mostly bits of songs from ’70s soul or ’90s hip hop — and laces them up with his own sound effects. Add in some rad light displays and MDMA and, voilà, you’ve got the Pretty Lights experience. Continue reading →

Bonnie Bloomgarden of Los Angeles’ Death Valley Girls says her band’s latest release, Glow in the Dark (out now on Burger Records), was inspired by ancient Egypt.  “We were asked to play a show for a mummy exhibit,” Bloomgarden tells EW. “These mummies had been in Chicago since 1890 until they came here to L.A. We realized this potentially could be the first time ever that they heard rock ‘n’ roll.” “What if we had the power to wake them?” Bloomgarden continues. “After we wrote the songs we thought, ‘Well, we’ve got to record them now.’” Continue reading →