ArtsHound

We've got issues.
GARNERDANCES premiered Strings! An Evening of Dance, at Oregon Contemporary Theatre, June 17. The evening’s length work featured dancers Shannon Mockli, Laura Katzmann, Mariah Melson, Suzanne Haag, Antonio Anacan, and Cory Betts, with choreography, costumes and lighting design by Brad Garner. Continue reading
Eugene’s own hula school, Na Pua O Hawai’i Nei (The Flowers of Hawai’i), presents its annual ho’ike exhibition June 25 at Cascade Middle School auditorium, 1525 Echo Hollow Road. All classes will perform, from preschoolers through kupuna (elders). It’s all too easy to dismiss this art form. How many tipsy mainland tourists have watched an overpriced hotel hula show and thought, “What’s the big deal? I could do that.” Continue reading
For professional dancer and choreographer Brad Garner, inspiration comes directly from community. “I’m inspired by community and the relationships among members of a community,” says Garner, whose dance company GARNERDANCES premieres Strings! An Evening of Dance at Oregon Contemporary Theatre June 17-18. “I’ve always been intrigued by human behavior — that interaction between people, and how people change in different contexts and group dynamics,” Garner says. Continue reading
War is hell, no doubt. But for all those nameless, faceless refugees escaping the war at home, the realities of relocation can plunge them into a new kind of nightmare, one almost as bloody and chaotic. Continue reading
What historically informed European musicians have done for Baroque music, James Ralph does for American musical theater. For years, the Oregon Festival of American Music (OFAM) impresario has been painstakingly supervising the reconstruction of the original scores of George and Ira Gershwin’s classic 1920s musicals, which have been performed for decades only in relatively bastardized remakes for stage or screen. Continue reading
California’s Sonny & The Sunsets current release, Moods Baby Moods, is a contender for 2016’s album of the year. The record’s elements are familiar: ’70s and ’80s English New Wave and New York art-pop grooves mix with Lee Scratch Perry-style studio experimentation and wubba-wubba dub atmosphere. Continue reading
Bravo, Scapino! Based on Molière’s 1671 comedy Les Fourberies de Scapin, Cottage Theatre’s presentation of Scapino! — directed by George Comstock — is a quirky tale of love and mischief. The play is set in Naples, and the frantic plot is fairly easy to follow, assuming you’ve had enough coffee that day. Continue reading
Eugene painter Ellen Gabehart’s home is far from a Martha Stewart-esque suburban rambler stocked with Ikea purchases. Gabehart has art covering every inch of her cozy space, furniture included. She reminds me to check the art in the bathroom before we sit down in her studio. Gabehart strikes me as the epitome of a Eugene artist with a history of activist work, community building and a mix of both trippy and political art pieces. Continue reading
The Lobster is the English-language debut of Greek director Yorgos Lanthimos. As far as I can tell, it’s a near-perfect film, a movie of surpassing oddness and eerie beauty, though hardly an easy one to digest. Nor is it very pleasant, in the conventional sense. Continue reading